Shelly Saltman on Bert Sugar

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It’s a small world; I was in Italy and I ran into Shelly Saltman, and we started to talk about boxing and about our mutual friend Bert Sugar. It turned out that we knew each other many years ago, and he came to a couple of my classes. I’m just passing along an article of his about our friend Bert.

One of the advantages of growing older is that you’ll be able to experience a great many things — good, as well as not so good. Along the way you meet many people. In my case, I have been blessed. I have walked, not only with the great and near great, but I have also had the privilege to rub elbows with many wonderful and legendary characters in my lifetime.

Sunday, I learned that a dear friend and long-time associate has passed on. The headline simply read, “Boxing writer Bert Sugar dies of cardiac arrest.” That is a true statement, but hardly tells what he meant to sports.

Bert Sugar was my friend. The last time I talked to him was approximately three months ago. There was no indication that he was sick, or that he was battling lung cancer. Instead, we talked about all the times we had worked together and what we might do in the future. Obviously, the future never came.

In his lifetime, Bert wrote and had published somewhere between 60 and 80 books. As a man who has only had five published books, I can certainly attest to the difficulty of coming up with something worthwhile to write about. I also understand how meaningful it is to get a publisher to say, “I want to print that.”

More impressive was the fact that in this day of modern technology, Bert never owned a computer and shunned the proprietorship of a cell phone. He did all his work either longhand, or on his longtime friend, the typewriter.

My young readers should know that a typewriter is an ancient, now obsolete, non-electronic term for computers. During my early years, computers never existed.

Bert was hailed in the media as a boxing writer and historian, but that was only a small part of his persona. He was a true sports historian versed on every facet you could name, especially when it came to baseball, horses and boxing.

Bert was familiar to everyone in the world of boxing. He was a pleasant caricature with his white fedora perched at a rakish angle on top of his, I think, bald dome. I never knew!

As a joke, I once asked him if he even wore his hat to bed. His answer was, “Only my wife and I know and neither us will ever tell.”

In his career, Bert had a great many “ups” and “downs.” At one point, he was the owner and publisher of the venerable boxing magazine, The Ring (aka Ring Magazine). Unfortunately, this creative genius only wanted to write, so unscrupulous associates wrested control of the publication from him.

During those dark days, many in the fight game considered him a pariah. He would hold court with his typewriter on a table at a favorite sports watering hole in lower Manhattan, Runyons.

In those days, I was traveling between Los Angeles and New York at least once a month. I would have lunch with Bert each time while he continued to bang out column after column and orchestrated his return to Ring Magazine stewardship. He fought a costly court battle and finally won his right to own and publish The Ring (the Bible of Boxing, the maker of the rankings) once again.

During this hiatus, I put Bert in quite a few of my productions where his wit and knowledge was astounding. Eventually it established him as a boxing spokesperson, leading to many other opportunities.

Back at The Ring, although he was the publisher, all he wanted to do was write. He drove his managing editor bonkers. Fortunately, this time he was in with people who respected him and although they fought his desire to write, they relented and protected his ownership interests at the same time.

My situation at FOX Sports was similar. I had originally cut my broadcasting teeth as a blow-by-blow boxing announcer. Whenever we broadcasted fights and our regular announcer Tom Kelly was unavailable, I desired to be the fill-in. Here, even though I was the boss, my beloved Executive Producer Janice Cassazza never wanted to hire me. Thanks to Clair Higgins, who spoke for the late wonderful female promoter Eileen Eaton, I prevailed.

In 1974, I had the opportunity to be the Toastmaster (The Emcee) of a roast for Bert at the Touchdown Club in Washington, D. C. The outpouring of affection was overwhelming. Here was a native Washingtonian who never forgot where he came from as he scaled the heights of sports journalism.

In 2005, Bert was inducted into the International Boxing Hall of Fame. He constantly astounded all of us with his vast knowledge and encyclopedic memory of events, places and times.

On a few occasions, I had lunch with Bert at another of his favorite Manhattan watering halls, Gallagher’s Steak House. It was here, on at least three luncheons, when Bert was accosted by Howard Cosell, Cosell being the self-proclaimed, all-knowledgeable sports maven. He was forever questioning Bert’s awareness of a particular sports subject. It eventually would end up in a bet for something like dinner. I am here to tell you, Bert ate free at Howard’s expense many times.

Bert, when he was your friend, never turned away if you needed help. One time, when I was still doing publicity, I mentioned in passing that I had an event that was in need of placement and I was short on media names. I mentioned it only once and then forgot about it.

I was living in Palm Desert, Calif. at the time when a week later a bulky overnight mail envelope arrived at my house. Bert had heard my plight and had taken upon himself to supply me more than 500 names with addresses and phone numbers (e-mail didn’t exist at that time), all written in longhand. This proved invaluable and made me indispensable to my client. When I wished to repay him, he wouldn’t hear of it. In fact, he felt insulted!

Bert was a showman and he reveled in creating that impression. His public persona was that of a gregarious, flamboyant Damon Runyon character. But in fact, he was pensive and studious as well as modest. He had a wit and a sense of humor without parallel. He never took himself seriously.

In boxing, when a champion dies, the ringside bell is stuck ten times indicating a knockout. Bert is down for the count, but his legacy will never suffer.

 

photo east

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Enjoying sitting Outdoors prior to Breakfast meeting

JoAnne and I just returned from Photo East after not making it for the past 4 years because we were either on assignment or out-of-the country.  We had several important meetings with people who were in town specifically for the show so it was a good time to connect. I had dinner with Jeff from Lexar, and we met with Brandon and Chris from Cru-Dataport. I had breakfast with Brian and Gvantsa from Adorama as well as breakfast with Photographer Mark Wallace who is a great guy, Rich Harrington, and Robert Vanelli from Rhed Pixel.  At the show we saw Rudy from Canon, Chris from Manfrotto, Monica from Adorama, ran into Michelle from Pop Photo, Rick from Tiffen as well as Patty from Domke. We saw Peter and Jim from Dynalite, and Herman from Adoramapix, stopped by to see Brandon at Cru-Dataport again, and lastly stopped to say hello to Sam from Nikon. Sorry to anyone I left out but this is the second time I wrote this blog as it disappeared on me and I’m a little frustrated with not having electricity in our studio since Monday afternoon and blogging on the road.  I’ve had enough!  That’s also the reason for the lack of photos as I can’t access them.

So Who Do I Ask?

© 2010 Dylan DiMaggio

Here’s the Question – Bert who do you like in the Chavez vs Martinez Fight? Imaginary Answer – “Uncle Joe what’s wrong with you and how many years have you followed boxing? How many world championship fights have you photographed and you come to me for the answers?”  Bert speaking, ” if I’m not mistaken at one point, you almost had a perfect record in guessing the outcome of a boxing match – well maybe not perfect, you may have gotten one or two right out of 60 or 70 fights.  The big joke at the fights was – whoever DiMaggio picked the other guy was sure to win.”  “So now you come to me and the “Bertster” is suppose to have the answer.  Well Uncle Joe, Sergio Martinez is going to take him apart like a cheap suit. Unless of course, he gets real lucky with an overhand right. Enough of this foolishness, I have three deadlines and I will see you at the fight.”

Bert, I genuinely miss you so I’ll smoke a cigar and have a double Cutty Sark and yes, I won’t be wearing socks.

The fight game will never be the same without you. No disrespect to Roy Jones Junior

Smokin’ Joe

 

© Joe DiMaggio

I remember the first day that I photographed Smokin’ Joe Frazier; March 8 1971. Frazier was the heavyweight champion of the world, fighting the great Muhammad Ali (off a three year hiatus from boxing). To say the least, it was considered  the fight of the century, with Frank Sinatra shooting ringside for Life Magazine. I’ve been known to say “The next time I’m in Vegas, I’m gonna jump onstage and grab  a microphone—not”. over the years, Frazier and I became casual acquaintances. Joe was a true gentleman. There are very few people that ever had a bad word to say about Joe. I asked him if he would be kind enough to allow me to interview him for my documentary In This Corner, and he agreed. We met at the iconic Gleason’s Gym. Honesty is the best policy, and as far as the interview went it was two warriors talking about the good old days, and from that we talked about the future of boxing in the new decade. The interview became very personal, and that is not the proper way a documentary interview should go. I looked at it yesterday and a tear came to my eye. When I get my head put on straight, I’ll do a second and a third blog with some action photography. Yes, I know this should have been done November of last year, but it took me that long to actually find the images I was looking for. So much for my filing system. To all the ships at sea, some photography, for that matter all photography, is timeless. On that note, go out and make some great photos. Joe D.

© Joe DiMaggio

© Joe DiMaggio

 

I Really Did Invent the GoPro—NOT

© Joe DiMaggio

We always want photography to be fun; if it’s not fun then why do it? On an assignment for Sports Illustrated on the first great woman drag racer of our times, Shirley Muldowney, I spent a week with her and it was just pure fun. It was after her horrific crash in 1984, yet she maintained a light, airy persona and was genuinely warm, friendly, and cooperative; until I mentioned that I wanted to mount a camera on the nose of her Top Fuel Dragster. In many ways, Shirley was a hero to me. She was a great spokesman for the sport, and a great role model for women. On the first run with the camera mounted on the nose of the Dragster, the torque and power snapped a quarter twenty bolt and the camera fell over and almost hit the cement. The safety wire stopped it from becoming a photographic hand grenade. On that note, let’s always remember; safety first, photography second. After talking with her engineer we decided to take the nose cone off and bolt the camera directly to the rail. The camera we used was a Nikon F with motor and a 16mm lens. Photos were taken on Kodachrome 64 with an exposure of f16 at 1/60 of a second, tripped with an old fashioned module light.

© Joe DiMaggio

The Tomcat

© Joe DiMaggio

There are rules, and there are new rules. The new rule is to never look backwards, instead always look forwards. I’m starting to get it; it takes a while but no one ever said I was a fast learner. While searching the archives for my new book, I stumbled across a story I did for Time Magazine on the last F-14 Tomcat that was to be built. The story was very important to me, but I had no idea how important it would actually be. I absolutely fell in love with the Tomcat. I believe the basic design was done in 1966 and it’s been improved upon and modified scores of times ever since. When you talk to pilots about two planes, their eyes will light up; one of those planes is the P-51, and the other the Tomcat. I had the pleasure of meeting and photographing Chuck Yeager at the Reno Air Races and he watched me climbing out of the P-51 Precious Metal. Without me asking a question, he smiled and said “You know what I like about that damn plane? You can fly it 300 feet off the ground, hit the stick and make a hard left around a barn. With these damn new planes, if you want to do that you’ve got to fly to a different state before you can make a left”. We both laughed. I will follow up on Precious Metal next week. To all the ships at sea, let’s go out and make some photos. Check out my Adorama TV show.

http://youtu.be/7DjOy2hN5NI

http://youtu.be/H48CJGZXijo

http://www.youtube.com/watch?v=t3YFNXjr-5M&feature=plcp

Photo above: Canon film camera; yes, I don’t remember which one, 14mm lens, on top of a cherry picker, ASA (ISO) 64, 1/15 of a second, at 2.8

Photo below: Canon camera, 300 2.8 lens, ISO 64, 1/100 of a second, at 2.8

© Joe DiMaggio

Tucson Firefighters

© Joe DiMaggio

To all the ships at sea, until all of the photographs are found for my new book, you’re going to see an awful lot of blogs like this. For about ten years of my life, I spent two or three months a year teaching workshops at The U of A, and I had an opportunity to work with one of the greatest fire departments in the United States. Men and women who are dedicated to saving lives; every day knowing that they would be willing to trade their life to save yours. It takes a very special person to do that. I doubt very much that I could ever be able to do something like this, certainly not on a regular basis. It would me remiss of me to say all of our fire departments and firefighters are extremely special human beings. You know I’m not a big Photoshop guy, but I played a little bit with this.

Equipment: Canon D30, 200mm 1.8, ISO 100, 1/640 of a second, f2.8

Dynalite Makes Its Own Light

© Peter Poremba

To all the ships at sea, if there’s one thing I’ve learned in my years as a photographer and  filmmaker, it’s that I don’t have all the answers. Hopefully, I’m smart enough to go to the people that do have the answers. Peter Poremba, the CEO, president, and senior electrical engineer of Dynalite was kind enough to go to Malibu on two separate occasions, and with the minimum amount of equipment he was able to light 30% of the arena: just one light and one power pack (if it was for SI, he would have brought in six power packs and eight lights). The combination of the electronic flash and the hypersync on my Canon 7D and Peter’s Nikon D7000 made for some photos that could not be taken back in the day. Some of the other photos in this blog I threw in just because I wanted to, will have a follow up.

Tech information: triggering device was the new Pocket Wizard Flex, power pack MP800, SH2000 Studio Head, SP-45 reflector, Nikon 85mm 1.4 lens, Canon 135mm lens.

Nikon D7000 exposures: 1/800 of a second, ISO 400, f4

Canon 7D exposures: 1/1200 of a second, ISO 500, f4.5

Peter Poremba, © Joe DiMaggio

© Joe DiMaggio

© Joe DiMaggio, no strobe

© Joe DiMaggio

Black and White

© Micheal Hartnett

To all the ships at sea; we very rarely see a photograph of JoAnne and I together because most of the time she’s working on one specific project and I on another. The one good thing is we always agree; she says black, I say white, she says up, I say down. It makes for one hell of a relationship. Artistically, it really works. She is an extremely fine photographer and a difficult producer. As for me; best described as pain in the ass. It’s a tough job, but somebody’s got to do it. Recently, there’s been a new artist community social network organization, the Milford Arts Alliance Open Gallery Tour, and we’ve had our first gallery opening for them which was extremely successful. A total of 60 clients came through with four sales. Great conversation; I thoroughly enjoyed it. A big thank you to Amy Bridge and her publication The Milford Journal, and a big thank you to Micheal Hartnett for a great photo. Have a great weekend.

I Invented the GoPro— NOT

© Joe DiMaggio

One of the greatest assignments I had an opportunity to do was a three-week assignment for Sports Illustrated on three brothers, the Whittington brothers, who inherited nine hundred million dollars. They had an affinity for cars, planes, and all things exciting.  Their 1979 Le Mans entrance won first in their class. A small part of my assignment was to have the three cars together at speed, so I ordered a Mitchell mount from California, mounted a Nikon f2 with a motor with a 15mm lens, and a remote cord into the compartment where I sat on four roll bars. I explained that we only needed to go 40 to 50 miles an hour. Unfortunately, race cars like to grip at much higher speeds. We did one pass at about 100 miles an hour, I changed film, and on the second pass, I could feel the remote button and my camera was out of film. I believe my quote was “we can go back to the pits, I’m done”. I will never ever use those words again. Bill Whittington kicked in the turbo and we went from 100 to 160 in what seemed like a millisecond, until the rear end broke loose (please keep in mind, he had on his Nomex, his balaclava, his gloves, his helmet, and all of his racing belts. I had beech nut gum and a death grip on the roll cage). He took the emergency road, locked up all the brakes, came to a full stop, popped out of the automobile and I was still frozen. Paul Newman looked over and said to me “You must be out of your mind to get in a car with that wild man”. Once again, Paul was right.

As everyone knows, I was brought into the digital world kicking and screaming. Now that I’m working on my memoirs, I realize what  I did with this series cost several thousand dollars and someone could have gotten hurt (namely me). In the world of digital, using two GoPros, one on the front and one on the back of the car would’ve been safer. I don’t have to be in the car, so if they would like to do 180, so be it. The overall cost would be less than $600 with a safety wire. God bless digital.

Shot at 1/15th of a second on Kodachrome 25 at f11.

© Joe DiMaggio

© Joe DiMaggio
Paul Newman with Don and Bill Whittington