A People to People Photo Exchange: Cuba from Miami January 14-21, 2014

The-Malecon-Havana-Cuba R

Cuba from a Photographers’ Lens:

A People to People Photo Expedition:
Cuba from Miami January 14 to 21, 2014 with the Center for Cuban Studies, Photographers Joe DiMaggio & JoAnne Kalish and in Cuba, Photographer Rolando Pujól
Please contact me for additional information.

Joe DiMaggio’s Personal Tribute to the 4th of July

Intro by Weir McBride

© Joe DiMaggio

© Joe DiMaggio

For veteran New York photographer Joe DiMaggio, July 4th remains a time for gratitude. “I am one of the luckiest people in the world. Many of my friends are artists, whether they be painters, writers, poets, musicians photographers or what have you. What’s the term that is used-  starving artists? Every once in a while, I tend to complain and moan about the state of the union. Several friends have reminded me if you don’t like the state of the union you can go somewhere else. To be honest, I’ve been lucky enough to travel around the world a couple of times. Every once in a while, I remember to get on bended knee and kiss the ground as I’m fortunate enough to live in the greatest country in the world. Think about it…

“The photograph of the model’s hand was a silhouette done on a transparent white background with 4 electronic flashes on the white background. The photo was originally done on Kodachrome 25 with the Singh-Ray UV Filter. The film was  rewound and reloaded back into the camera and a 2nd front lit image of an American Flag with a fan blowing on it was shot over the silhouette. The original photo had no help from photoshop because it was actually done before photoshop existed. Well what do you know — this older image has just been selected as a magazine cover and the client asked that the transparent white background be changed to blue as it would not work well with their logo. Hmm, have we heard this before? My photoshop skills are minimal at best and I intentionally keep it that way. Twelve to fourteen hours a day is enough work. An assistant gave me a hand and we dropped the blue into the background for the client.

© Joe DiMaggio

© Joe DiMaggio

“This second photo was inspired as I was splitting wood for my fireplace and saw the inside grain of one particular piece of wood. I picked up a my EOS 5D Mark III, 100mm Macro with the Singh Ray Hi-Lux filter and made several frames. I then  shot one of my small American Flags and my assistant was kind enough to blend them together.”

To keep track of all that Joe and JoAnne are currently involved in, you need to visit their frequently up-dated website  You can also learn more about their workshop projects and fine art photography.  http://www.dimaggio-kalish.com and http://www.dimaggio-kalishworkshops.com

You Can’t Make This Up

© Joe DiMaggio

© Joe DiMaggio

“I hate artist’s statements. They are pretentious, and I am pretentious enough without adding to it. I have read too many statements about artists who are “exploring psycho/sexual boundaries” or artists who are “Concerned with the tension between x and y…” These statements are more for the artists, to convince themselves that they are creating something meaningful and of value. I reality you buy art because it connects with you, or it matches your couch, not because the artist was “depicting the hypocrisy of gender roles in a post modern America”. I am much more interested to hear what you think about my work, then to tell you what I think about it.”

Thann Clark

There are very few things that motivate me to the point of screaming, jumping up and down, or possibly wetting myself. I was introduced to a young man by the name of Thann Clark and I went to his webpage. What you’ve read above is his artist’s statement.  I am totally blessed that most of my friends are artists, whether  they use oil, water, pen, pencil, cameras, blues, jazz, poetry, or ballet; they’re all artists. I strongly recommend to Thann that he should get his statement copyrighted and trademarked, because if he doesn’t, I’m going to steal it. This artists statement could go on from here to infinity. I’m throwing a photo in here just because I want to. Just for people to keep records, the above gorilla photograph was the number one selling greeting card for over two years. Canon EOS, 600 f4, 1/100th at f4, ISO 100, Gitzo monopod.

Embrace

© Joe DiMaggio

© Joe DiMaggio

Why would anybody put up this genre of photograph in June when obviously the photograph as taken in the dead of winter? That’s funny, I asked myself the same question. There are two basic reasons: the first is I just found this photo I had been trying to find for the last few years for my book, so I scanned it and now you have an opportunity to see it, and the second is I just liked the feeling. It makes me feel warm. Two lovers outside a coffeehouse in Greenwich Village. Very cold and snowy night. One grabbed shot, EOS camera, 85 1.2, ISO 200, 1/60th at f2. No rhyme or reason, I just like it.

DUMBO AM-PM

 

© Joe DiMaggio

To all the ships at sea,

A quarter of a century ago, you couldn’t walk the streets of Dumbo unless you had an armed guard. It has now become one of the most chicy-chic places in the metropolitan area. Multi-million dollar construction— oops, I used the wrong word. I used the m word when I should have used the b word.  What a great place to make photographs. Join JoAnne and myself on the late afternoon/early evening of Thursday June 13th from 4-9. Check it out on the Adorama Workshop site. It’s all good, it’s all great, it’s all magic. One opening left for the rodeo workshop.

http://www.adorama.com/workshops/ws-joe-dimaggio-photowalking-brooklyn-bridge-park-2013-06-13

© Joe DiMaggio

© Joe DiMaggio