To all the ships at sea, approximately two months ago I did a program at B&H Photography called all things in photography are a compromise. The one thing I would like to make perfectly clear; that is not an excuse for me not to do my best. For that matter, it should not be an excuse for anyone to not do their best. Sometimes your best isn’t really up to code. Attached to this blog is a link to a short film on the great, beautiful, Pete Seeger. It was a work in progress and it was never designed to be published in its present format, but given the fact that Pete has moved to the next level of consciousness, please forgive my one-handed blind shooting. No, I did not intentionally cut his head off but the real sin is the microphone was not tweaked as it should have been. Translated: I had no assistant, no sound man, no PA, and no tripod. However, none of those things are an excuse. https://vimeo.com/85390064
A People to People Photo Expedition: Cuba from Miami January 14 to 21, 2014 with the Center for Cuban Studies, Photographers Joe DiMaggio & JoAnne Kalish and in Cuba, Photographer Rolando Pujól Please contact me for additional information.
Hi to All the Ships at Sea,
Let’s see if I got this right-I don’t like Photoshop, right? Right. I don’t like software where you can manipulate images…right? Right. I believe everything should be done in the camera…right? Right. Never crop, right? Right. Less is more, right? Right. Digital will be just like 8-tracks, it’ll never last. So let’s check out the reality, I guess it’s impossible to be right all the time.
The photograph of this young lady catching a cod-fish off the coast of Prince Edward Island, up until today, was flat, muddy, indistinguishable and almost two stops under. There’s a technical term in photography for a photo like this…it’s blank blank blank blank. Well through a little bit of work in Photoshop and NIK software it came alive. The young lady’s name is JoAnne Kalish.
For veteran New York photographer Joe DiMaggio, July 4th remains a time for gratitude. “I am one of the luckiest people in the world. Many of my friends are artists, whether they be painters, writers, poets, musicians photographers or what have you. What’s the term that is used- starving artists? Every once in a while, I tend to complain and moan about the state of the union. Several friends have reminded me if you don’t like the state of the union you can go somewhere else. To be honest, I’ve been lucky enough to travel around the world a couple of times. Every once in a while, I remember to get on bended knee and kiss the ground as I’m fortunate enough to live in the greatest country in the world. Think about it…
“The photograph of the model’s hand was a silhouette done on a transparent white background with 4 electronic flashes on the white background. The photo was originally done on Kodachrome 25 with the Singh-Ray UV Filter. The film was rewound and reloaded back into the camera and a 2nd front lit image of an American Flag with a fan blowing on it was shot over the silhouette. The original photo had no help from photoshop because it was actually done before photoshop existed. Well what do you know — this older image has just been selected as a magazine cover and the client asked that the transparent white background be changed to blue as it would not work well with their logo. Hmm, have we heard this before? My photoshop skills are minimal at best and I intentionally keep it that way. Twelve to fourteen hours a day is enough work. An assistant gave me a hand and we dropped the blue into the background for the client.
“This second photo was inspired as I was splitting wood for my fireplace and saw the inside grain of one particular piece of wood. I picked up a my EOS 5D Mark III, 100mm Macro with the Singh Ray Hi-Lux filter and made several frames. I then shot one of my small American Flags and my assistant was kind enough to blend them together.”
To all the ships at sea, last week ranged from brutal to inconceivable, and back to brutal cubed. I was suffering from negativity, which was probably my doing because I allow things to bother me. Well, enough of that. A young man showed up on our doorstep with a number 2 pencil and a tape recorder and interviewed JoAnne and myself. Separately, as a matter of fact, which I thought was a pretty innovative way of doing it (“no white lies, you’ll get caught!”). There’s something about a consummate professional; there’s an aura about them. In my experience, they’re bright, intelligent, soft spoken, and honest. I’m talking about Michael Hartnett. I normally have some minor defense mechanisms in place, but Michael was able to have me drop them in about ten seconds. Great interviewer, again I was totally impressed. We talked a little bit about some of his art and he showed me this beautiful illustration with which I fell in love. Then he explained that he makes them in the woods. Makes a record photograph and within hours it disappears. The initial concept threw me for a loop. You mean I can’t take it home? I can’t put it on my wall? It’s not archival? It’s here today, gone tomorrow? Then I gave it a little bit more thought and realized how brilliant it is. Just like us; here today, gone tomorrow. He’s written a novel called Tales of Allamucha; expect to see it on Amazon in the upcoming future. What a breath of fresh air! This is Joe DiMaggio signing off. PS, he was writing an article on JoAnne and myself for The Milford Journal. Check out the July issue.
“I hate artist’s statements. They are pretentious, and I am pretentious enough without adding to it. I have read too many statements about artists who are “exploring psycho/sexual boundaries” or artists who are “Concerned with the tension between x and y…” These statements are more for the artists, to convince themselves that they are creating something meaningful and of value. I reality you buy art because it connects with you, or it matches your couch, not because the artist was “depicting the hypocrisy of gender roles in a post modern America”. I am much more interested to hear what you think about my work, then to tell you what I think about it.”
There are very few things that motivate me to the point of screaming, jumping up and down, or possibly wetting myself. I was introduced to a young man by the name of Thann Clark and I went to his webpage. What you’ve read above is his artist’s statement. I am totally blessed that most of my friends are artists, whether they use oil, water, pen, pencil, cameras, blues, jazz, poetry, or ballet; they’re all artists. I strongly recommend to Thann that he should get his statement copyrighted and trademarked, because if he doesn’t, I’m going to steal it. This artists statement could go on from here to infinity. I’m throwing a photo in here just because I want to. Just for people to keep records, the above gorilla photograph was the number one selling greeting card for over two years. Canon EOS, 600 f4, 1/100th at f4, ISO 100, Gitzo monopod.
On one level, if photography is magic then Ann Raine was Houdini. She put forth an unbelievable effort in everything that she did, and she reinvented herself on at least five occasions. We had very long discussions on where she wanted to go photographically, and in many ways I encouraged her with all my heart and soul. That was on the right hand; on the left hand I explained to her that the overall perception of photography was losing some of its magical powers. With the advent of digital, the image became a little too easy and a little too common. Having said that, the cream always comes to the top, and Ann was on the top and in many ways still is. Both JoAnne and I think of her all the time. There’s no doubt that she’s no longer in this consciousness but she has progressed and moved on to a finer one. Her great work will always be here; it will be archival in the truest sense of the word and last to infinity. The next time I see you, you are going to have to lead me on your workshop.
Please see the beautiful tribute from Warren Rosenberg.