Baseball: Shooting from the Inside Out

© Joe DiMaggio

© Joe DiMaggio

http://www.youtube.com/watch?feature=player_embedded&v=3nexjT6O4Lg

To all the ships at sea,

We’ve heard the comments; there are no new photos. We’ve heard it numerous times. My god, I’ve probably even said it myself. It’s our job as photographers and filmmakers to always try to come up with a new variation of a theme, and every once in a while we may stumble across a fine photograph. After a certain period of years, we may even be able to predict that it will indeed be a fine photograph and not just another snapshot or cliche number 377. As photographers and artists, all we can do is continue to try. If you have a moment, please stop and check out my new Adorama TV video, subscribe to my blog, TV show, and all the other good things.

Thanks, Joe D

It’s All Good

Hi to All the Ships at Sea,

Let’s see if I got this right-I don’t like Photoshop, right? Right. I don’t like software where you can manipulate images…right? Right. I believe everything should be done in the camera…right? Right. Never crop, right? Right. Less is more, right? Right. Digital will be just like 8-tracks, it’ll never last. So let’s check out the reality, I guess it’s impossible to be right all the time.

The photograph of this young lady catching a cod-fish off the coast of Prince Edward Island, up until today, was flat, muddy, indistinguishable and almost two stops under. There’s a technical  term in photography for a photo like this…it’s blank blank blank blank. Well through a little bit of work in Photoshop and NIK software it came alive.  The young lady’s name  is JoAnne Kalish.

All the Best,

Joe D

You can now follow me on Twitter @dimaggio_photo
Visual Impressions with Joe DiMaggio, Sponsored by Adorama
www.adorama.com
Adorama Learning Center

Paul Laddin Sends Joe a Poem

Hi to all the Ships at Sea,

There are hundreds and maybe thousands of photographers and filmmakers that make a lot more money, than I do. I’ll tell you what I’ve got though, I’m the richest man in the world because I have so many beautiful and special friends. My friend Paul Laddin is a true Renaissance man. He’s been a working artist for the last 6 decades. At one point in his career he was one of the original Madmen in the advertising business. He’s won many many awards for his talents. With all of that, he is just a regular guy and beautiful person. After a conversation we had, he sent me this poem and I’d like to pass it along. If you go to dimaggiophoto.com and click on Paul Laddin you can see some of his artwork.

Photo tip for today: anytime you’re photographing snow, always remember to open up 1.5 stops; no one wants to see grey snow and…and while you’re at it stay away from the yellow snow.

Poem by Dylan Thomas,

Do Not Go Gentle Into That Good Night

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on that sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.
Dylan Thomas

All the best,
Joe D

Visual Impressions with Joe DiMaggio, Sponsored by Adorama
www.adorama.com
Adorama Learning Center

Recent Central Park Workshop

©2012 Joe DiMaggio

Had another great workshop in Central Park.  We had a very special group of photographers that got along extremely well.  I saw some wonderful photos that were made by many of you. A great time was had by all. Thank you Monica from Adorama for putting these workshops together.

A Great Photo By Barbara

© Barbara Lawrence

Over the weekend I had the pleasure of taking a small, elite group of photographers to the rodeo for a sports and action workshop, which always involves environmental portraits. It started in the learning center, and after an hour of multimedia shows we went off to the ranch, and the weather was gorgeous. Then along came Murphy. The rain was so hard, they postponed the event by an hour and 15 minutes. While students were hiding in my automobile, I decided to put them in one of the barns. Barbara made this wonderful photograph while waiting for the rain to stop. For me, watching another photographer constantly looking and communicating with, in this case the cowboys, the wranglers, the owners, etc, is great. And the icing on the cake is one fine photograph.  Here’s an email that I received from Barbara;

“I had a great time and also have many dreadful images. Interesting how the color of the light changed as the riders moved around the ring.

I think that my favorite was the man in the barn doorway. I have several with wonderful light. These are almost untouched, except for black and white in Lightroom”

Pete Seeger

© Joe DiMaggio

Last night I was pleasantly surprised to see my old friend Pete Seeger looking young and vibrant. I met Pete for the first time in 66— oops, I’m only 29— somebody’s not telling the truth. There is an expression that is overused, and that expression is “he or she is one-of-a -kind.” Let me be perfectly clear; there is only one Pete Seeger, and there will never be a second. He is truly one of the greatest human beings God put on this earth. At 93, he sounds like he’s 53.

To all the ships at sea, get a glass of wine, a beer, or cup of coffee, and sit down and listen to a a little bit of Pete Seeger’s music. By the way, he’s got a new book coming out and I certainly will be purchasing one

© Joe DiMaggio

© JoAnne Kalish

Tucson Firefighters

© Joe DiMaggio

To all the ships at sea, until all of the photographs are found for my new book, you’re going to see an awful lot of blogs like this. For about ten years of my life, I spent two or three months a year teaching workshops at The U of A, and I had an opportunity to work with one of the greatest fire departments in the United States. Men and women who are dedicated to saving lives; every day knowing that they would be willing to trade their life to save yours. It takes a very special person to do that. I doubt very much that I could ever be able to do something like this, certainly not on a regular basis. It would me remiss of me to say all of our fire departments and firefighters are extremely special human beings. You know I’m not a big Photoshop guy, but I played a little bit with this.

Equipment: Canon D30, 200mm 1.8, ISO 100, 1/640 of a second, f2.8

Dynalite Makes Its Own Light

© Peter Poremba

To all the ships at sea, if there’s one thing I’ve learned in my years as a photographer and  filmmaker, it’s that I don’t have all the answers. Hopefully, I’m smart enough to go to the people that do have the answers. Peter Poremba, the CEO, president, and senior electrical engineer of Dynalite was kind enough to go to Malibu on two separate occasions, and with the minimum amount of equipment he was able to light 30% of the arena: just one light and one power pack (if it was for SI, he would have brought in six power packs and eight lights). The combination of the electronic flash and the hypersync on my Canon 7D and Peter’s Nikon D7000 made for some photos that could not be taken back in the day. Some of the other photos in this blog I threw in just because I wanted to, will have a follow up.

Tech information: triggering device was the new Pocket Wizard Flex, power pack MP800, SH2000 Studio Head, SP-45 reflector, Nikon 85mm 1.4 lens, Canon 135mm lens.

Nikon D7000 exposures: 1/800 of a second, ISO 400, f4

Canon 7D exposures: 1/1200 of a second, ISO 500, f4.5

Peter Poremba, © Joe DiMaggio

© Joe DiMaggio

© Joe DiMaggio, no strobe

© Joe DiMaggio

Black and White

© Micheal Hartnett

To all the ships at sea; we very rarely see a photograph of JoAnne and I together because most of the time she’s working on one specific project and I on another. The one good thing is we always agree; she says black, I say white, she says up, I say down. It makes for one hell of a relationship. Artistically, it really works. She is an extremely fine photographer and a difficult producer. As for me; best described as pain in the ass. It’s a tough job, but somebody’s got to do it. Recently, there’s been a new artist community social network organization, the Milford Arts Alliance Open Gallery Tour, and we’ve had our first gallery opening for them which was extremely successful. A total of 60 clients came through with four sales. Great conversation; I thoroughly enjoyed it. A big thank you to Amy Bridge and her publication The Milford Journal, and a big thank you to Micheal Hartnett for a great photo. Have a great weekend.