Memorial Day Bike Race

Posted by Joe DiMaggio on June 1, 2012

To All The Ships At Sea

For the Last Three years my dear friend Brian has invited me to the oldest bicycle race in the US held in Somerville, N.J. on Memorial Day. Every year I promise to go and cancel because of this that or the other thing. This year I decided I was going to go and am extremely happy I went. Brian was not exaggerating it is an amazing experience. Hundreds of racers and thousands of spectators. Colorful is an understatement. Towards the end of the day, JoAnne and I ran into Dave and Linda. There may be a possibility next year of doing a Sports/Action semi-private workshop. Could be a lot of fun. It’s a great place to hone your eye hand coordination and to tweak your panning skills. Prepping for a rodeo shoot to be continued….

To Shop or Not to Shop

Posted by Joe DiMaggio on April 20, 2012

I’ve had an opportunity to spend ten years at the University of Arizona doing workshops and lectures, and in the day shooting some assignments and stock work. Funny how it all seemed to come around in January and February hmm…, first thing when I got to Tucson, would be I’d hire one or two assistants and interns. One of the best was Lee Ann Fox, extremely bright, creative and a lot of fun. As the sun was setting, I came up with a photo of Lee Ann her (nickname was the Fox) on her motorcycle. If you look closely at the bottom photograph you will see a hell of a lot of industrial stuff. In the day before Photoshop I would attempt to do a multiple exposure, shoot the background separate, another at speed, and then I’d have an assistant photoshop it. Camera 35mm, lens 35mm f/1.4, the platform was a moving rent-a-car,1/60 of a second, at f/5.6, ISO 50. If you look close, you will see me in Fox’s mirror. Photo tip of the day,is to make sure you have a great driver and a model that can take direction by hand motions. Do not try this while driving the car, it could be dangerous.

Nik Software

Posted by Joe DiMaggio on January 2, 2012

Copyright 2011 Joe DiMaggio

Back in the day when I shot Leica, and used TriX and modified my carriers so you can print absolutely the whole negative with no cropping everything had to be done in camera. I studied the zone system for years and effectively was unable to use it because I stopped shooting 4×5. I one time watched Gene Smith, spend three hours making one 8×10. On my best day in the darkroom my best print on a scale of 1-10 would be a 2.25. I did better with Cibachrome. I was able to print Cibachrome and do a reasonable job. When the world threw me a huge curve ball and digital photography became the answer to everything, I was caught with my proverbial down because I thought I was an elitist there was no way I would go digital. I held out as long as I could and like a reformed alcoholic, I scream the praises of digital today. On or about the same time there was photoshop 1 or 2 Anybody who knows me knows I have the utmost respect for the Adobe programs but because of the way I shoot and the number of hours I work, I was not going to attempt to become proficient with photoshop. Maybe it’s a cop-out but I don’t think so. I have interns and assistants that are extremely capable in the program. I tell most of the students that 99% are only cleaned. I very rarely attempt to make major changes in my images. I go back to the old school.

Well, now I’m ready to move into the last part of my career as a fine art photographer, a filmmaker and director and Nik comes along and makes me crazy. I finally got the programs installed and decided to play with one digital scan. That was at 8:30 in the evening. By 3:30 in the morning I had tested all of the software and was starting to bleed from my eyes. While bleeding I had a huge smile smile on my face. I was like 14 all over again – my first day in a darkroom. These programs are absolutely awesome. They are simple, straight forward and easy to use and even an idiot like me can make them work. I don’t impress easy but I’m impressed.

Thanks

Joe DiMaggio

All Photos ©2011 Joe DiMaggio All Rights Reserved

Copyright Joe DiMaggio

Copyright Joe DiMaggio

Wheeler at MOMA

Posted by Joe DiMaggio on June 25, 2011

I know everyone who attended the photo retreat on Memorial Day weekend- Every person, to a man and a woman all said the same thing. They absolutely loved Dennis Wheeler. The idea of sharing my 30 plus years relationship with Dennis with the students worked out better than I expected. To say Dennis is a master of the arts would be an understatement. He’s a Renaissance man on steroids. Every time I feel a visual block getting ready to bite me on the butt I call Dennis and invite myself to his farm, where he proceeds to motivate me to get off my duff and start producing work.

I sat listening to every word that Dennis spoke and watching the faces of the participants and guests at the party. It was a beautiful thing. Here are a couple of comments.

“Thank you for inviting me to the Retreat/Party. It was an enjoyable experience, in which I learned a great deal about photography, creativity and myself. Meeting Dennis Wheeler gave me new insight into questions that remained unanswered until his down to earth, realism in his lecture.

“The Retreat was a great success on all levels. Hope to see you on June 12, 2011 in Lower Manhattan. All the best.”

~Ralph Mocciola

“A special thank you to Dennis Wheeler for demonstrating that creativity does not stop at 60 – whatever – years old!”

~Linda Pedersen

“It is hard to put into words what this past visit with you has meant. I find the below a step in the process of putting into words what occurred at your home and Learning Center. That said, I look forward to further workshops that explore what the below author suggests, and what Dennis Wheeler demonstrated.”

~David Kenny

“I had a wonderful time, learned a lot, got to exchange ideas with a great group of photographers, had an opportunity to listen and learn from an accomplished artist (Dennis Wheeler)…”

~Ann Raine

“Thank you for a most wonderful day, I think it was better than any of us could have imagined. It was a great experience to sit around and talk about the arts and meet and spend time with Dennis, and to be topped off with some great music with Bobby and the boys. But the best was the hospitality you, Joe and Dylan exhibited by opening your home to us and ensuring that we all had a marvelous day. Thanks again, and look forward to seeing everyone again, real soon.”

~Jeffery Thomas

The Student Becomes the Instructor

Posted by Joe DiMaggio on June 23, 2011

Joe,

Closest Finish © Joe DiMaggio

Well, next year it’ll have been 30 years since I loaded film into your Nikons at the 1982 Indy 500. It was a complete thrill to finally be able to work the other side of the fence after growing up at the track each May tagging along with my Dad. Of course things have changed a bit since then. In addition to the digital revolution, the Indianapolis Motor Speedway has undergone a major facelift and is a World-class facility. I started shooting the 500 for Reuters in 1990 and have been back ever since. Last year, I had the honor of having my college-aged daughter, Ainslie, join the family “business” and become the 4th generation of Millers to pick up a camera at the 500. Back at the 1982 you captured the memorable image of the Johncock/Mears finish, and who knew that 24 years later in 2006 I’d repeat the feat by capturing the Hornish/Andretti finish that would appear double-trucked in SI as well as the NY Times.

Peace,

Geoff Miller

_________________________________________

Geoff,

I am so proud of you not only as a photographer but as one hell of a fine human being. There are very few young people that would give up their bed back in the day so we could get to the Indy 500 at 5 A.M. to beat the traffic. And like many of my assistants, you did so much more than just load film into my Nikons. Without your help, that photograph would not have been done. It’s something that I’ve been aware of my whole life. We tend to think we work in isolation. We tend to think how important we are. But the same way that Rick Mears would say “It’s a team effort”, I say the same thing. We worked as a team. Your work is amazing. You deserve everything that you get and some more. And who knows- maybe in the next couple of years, we’ll have an opportunity to work together again. Keep on shooting and remember the first rule of photographing racecars: Never turn your back on one.

Thanks,

Joe D.

Mermaid Parade

Posted by Joe DiMaggio on June 22, 2011

I remember my mother and father taking me to the Macy’s Thanksgiving Day parade.

Sitting on top of my dad’s shoulders, looking at the giant floats, the beautiful colors, the magnificent music, and here we are a couple of years later spending the day at Coney Island at the Mermaid Parade. My new policy is one camera, one lens, two batteries, two cards. I chose to test a new lens, a 135 f/2. Last year’s parade, I used a 10-22mm. Obviously, a huge change! But, changing it up is a good thing. What I’m about to say is no scientific fact. It appeared to me for every person in the parade, there were 3 photographers. I could be off, but I’m not that far off.

30 Years and Nothing Has Changed

Posted by Joe DiMaggio on June 21, 2011

As a photographer, one of the first things you learn is eye-hand coordination. Your ability to look at 300 people, 7 people, front-lit, back-lit, and see the photo that you want to make. And before you can even think about it, you’ve made 3 or 4, each one a variation of a theme, not just a motor sequence. Making back lit adjustments on the fly, always thing about where the next photograph is going to come. That’s the good news. The bad news can be all of those things that work against you. And you miss the obvious. It’s happened to me before, and I’m pretty sure it’ll happen to me again. You never want to have blinders on. You want to be open to new lighting, new composition, new stories, and new direction. Invariably, you will grow and your work will improve accordingly. While looking at this very beautiful young lady and preparing to do a very shallow, depth of field simple photograph, I look down and to my right and saw one eye and one sideburn and a little bit of a mustache. I said “Oh my god, could that be Melchior DiGiacomo?” I took the photograph, looked down, I tapped him on the shoulder, and he said “Joe D., just a minute”. I guess it’s like two chubby italians meeting in the daylight, or is that two ships in the night? I can never get it right. The funny thing about it is I haven’t seen Melchoir in 30 years. And my god, nothing’s changed! It’s good that there is some consistency in this universe.

Adorama Inaugural Street Fair

Posted by Joe DiMaggio on June 13, 2011

My dear friend Monica Cipnic asked me if I would come and do a few programs for the Adorama Inaugural Street Fair. My answer was, “Of course!” She put me in contact with Brian Green, who is Vice President of Marketing. Two phone calls, one email, and we were ready to go. To say the program was successful is really an understatement. They had over 9,000 attendees and it was a great cross-section of photographers, beginners to well-seasoned pros. And the bottom line is: It was a lot of fun. I managed to squeeze in 3 separate programs, and from the response on Facebook, that was pretty successful. (Notice how I’m throwing around all those high-tech, modern things like “Facebook”? You didn’t think I knew what that was, did you? If it’s good enough for Lady Gaga and President Obama, who am I to say it’s not cool?) Hopefully, this will be just the first of many. Thank the powers that be for the opportunity.

Joe DiMaggio