To all the ships at sea,
No rhyme, no reason, a little bit of fun. 16-35mm lens, f16 at 2/8, LED light, flat day, 5D Mark 3. No rhyme, no reason; I just like the photo.
To all the ships at sea, there are certain consistencies or better we call them truths in life. For me, one of these truths is to always to seek the advice of the elder of the village. I presume that this has been the way of the world from time immemorial, and here you see Dylan Michael communicating with our dear friend Richie Havens, discussing whether to use a pick or not. I think the conversation progressed to lyrics and Woodstock; I was personally not privileged to the conversation. I made the photo and moved on. There is one thing that never ceases to amaze me; how important photography is in all of our lives. I totally forgot about this photo, but while doing some research on Pete Seeger, I stumbled across Dylan with Richie. Canon F1, Fujichrome, about 1/90, bounce flash, 50mm lens. Pick an aperture; I don’t remember. Sing in peace, Richie. You’re probably sitting on a solid gold stool. Great times of our lives, suspended in photography.
http://www.youtube.com/watch?feature=player_embedded&v=3nexjT6O4Lg
To all the ships at sea,
We’ve heard the comments; there are no new photos. We’ve heard it numerous times. My god, I’ve probably even said it myself. It’s our job as photographers and filmmakers to always try to come up with a new variation of a theme, and every once in a while we may stumble across a fine photograph. After a certain period of years, we may even be able to predict that it will indeed be a fine photograph and not just another snapshot or cliche number 377. As photographers and artists, all we can do is continue to try. If you have a moment, please stop and check out my new Adorama TV video, subscribe to my blog, TV show, and all the other good things.
Thanks, Joe D
Hi to All the Ships at Sea,
The tulips are coming up, seems like the snow is almost gone and the Indy cars are starting to run. Remember what I said, one camera, one lens, all the time. Here’s a shot from the old days with one of my assistants. Count the cameras. Thank god for assistants. Would hate to be looking at his MRI today. On a recent Formula One, which in many ways is much more difficult than the Indy 500, I used 2 cameras and 2 lenses. Two Canon 5D Mark III, one 80mm-200 f/2.8 zoom and a second 5D Mark III with grip and 400mm f/5.6 and carrying a 1.4 extender. Gitso Monopod and 6 lexar cards, 8 gigs up to 32 gigs Simple. Keep it simple. The photograph on the bottom was named by Sports Illustrated as the third best photograph of all time of the last 100 years.
All the Best,
Joe D
You can now follow me on Twitter @dimaggio_photo © Joe DiMaggio
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Hi to all the Ships at Sea,
One of the greatest sports photographers of our time, is John Iacono. I like to think of Johnny as the guaranteed man,no matter what the situation, whatever the weather conditions, lighting conditions, hot or cold, near of far, Johnny always delivers great photographs. There is no doubt in my mind that he has to be the nicest guy in the world. So much for Leo Durocher “Nice guys finish last.” Johnny finished first , most of the time. I’m proud to call him my friend. We’ve worked on many assignments over the years together and it’s always a pleasure.And not for anything, ya gotta love those brown eyes.
p.s. I don’t think he was happy with me sticking a camera in his face.
All the best,
Joe D
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It’s a small world; I was in Italy and I ran into Shelly Saltman, and we started to talk about boxing and about our mutual friend Bert Sugar. It turned out that we knew each other many years ago, and he came to a couple of my classes. I’m just passing along an article of his about our friend Bert.
One of the advantages of growing older is that you’ll be able to experience a great many things — good, as well as not so good. Along the way you meet many people. In my case, I have been blessed. I have walked, not only with the great and near great, but I have also had the privilege to rub elbows with many wonderful and legendary characters in my lifetime.
Sunday, I learned that a dear friend and long-time associate has passed on. The headline simply read, “Boxing writer Bert Sugar dies of cardiac arrest.” That is a true statement, but hardly tells what he meant to sports.
Bert Sugar was my friend. The last time I talked to him was approximately three months ago. There was no indication that he was sick, or that he was battling lung cancer. Instead, we talked about all the times we had worked together and what we might do in the future. Obviously, the future never came.
In his lifetime, Bert wrote and had published somewhere between 60 and 80 books. As a man who has only had five published books, I can certainly attest to the difficulty of coming up with something worthwhile to write about. I also understand how meaningful it is to get a publisher to say, “I want to print that.”
More impressive was the fact that in this day of modern technology, Bert never owned a computer and shunned the proprietorship of a cell phone. He did all his work either longhand, or on his longtime friend, the typewriter.
My young readers should know that a typewriter is an ancient, now obsolete, non-electronic term for computers. During my early years, computers never existed.
Bert was hailed in the media as a boxing writer and historian, but that was only a small part of his persona. He was a true sports historian versed on every facet you could name, especially when it came to baseball, horses and boxing.
Bert was familiar to everyone in the world of boxing. He was a pleasant caricature with his white fedora perched at a rakish angle on top of his, I think, bald dome. I never knew!
As a joke, I once asked him if he even wore his hat to bed. His answer was, “Only my wife and I know and neither us will ever tell.”
In his career, Bert had a great many “ups” and “downs.” At one point, he was the owner and publisher of the venerable boxing magazine, The Ring (aka Ring Magazine). Unfortunately, this creative genius only wanted to write, so unscrupulous associates wrested control of the publication from him.
During those dark days, many in the fight game considered him a pariah. He would hold court with his typewriter on a table at a favorite sports watering hole in lower Manhattan, Runyons.
In those days, I was traveling between Los Angeles and New York at least once a month. I would have lunch with Bert each time while he continued to bang out column after column and orchestrated his return to Ring Magazine stewardship. He fought a costly court battle and finally won his right to own and publish The Ring (the Bible of Boxing, the maker of the rankings) once again.
During this hiatus, I put Bert in quite a few of my productions where his wit and knowledge was astounding. Eventually it established him as a boxing spokesperson, leading to many other opportunities.
Back at The Ring, although he was the publisher, all he wanted to do was write. He drove his managing editor bonkers. Fortunately, this time he was in with people who respected him and although they fought his desire to write, they relented and protected his ownership interests at the same time.
My situation at FOX Sports was similar. I had originally cut my broadcasting teeth as a blow-by-blow boxing announcer. Whenever we broadcasted fights and our regular announcer Tom Kelly was unavailable, I desired to be the fill-in. Here, even though I was the boss, my beloved Executive Producer Janice Cassazza never wanted to hire me. Thanks to Clair Higgins, who spoke for the late wonderful female promoter Eileen Eaton, I prevailed.
In 1974, I had the opportunity to be the Toastmaster (The Emcee) of a roast for Bert at the Touchdown Club in Washington, D. C. The outpouring of affection was overwhelming. Here was a native Washingtonian who never forgot where he came from as he scaled the heights of sports journalism.
In 2005, Bert was inducted into the International Boxing Hall of Fame. He constantly astounded all of us with his vast knowledge and encyclopedic memory of events, places and times.
On a few occasions, I had lunch with Bert at another of his favorite Manhattan watering halls, Gallagher’s Steak House. It was here, on at least three luncheons, when Bert was accosted by Howard Cosell, Cosell being the self-proclaimed, all-knowledgeable sports maven. He was forever questioning Bert’s awareness of a particular sports subject. It eventually would end up in a bet for something like dinner. I am here to tell you, Bert ate free at Howard’s expense many times.
Bert, when he was your friend, never turned away if you needed help. One time, when I was still doing publicity, I mentioned in passing that I had an event that was in need of placement and I was short on media names. I mentioned it only once and then forgot about it.
I was living in Palm Desert, Calif. at the time when a week later a bulky overnight mail envelope arrived at my house. Bert had heard my plight and had taken upon himself to supply me more than 500 names with addresses and phone numbers (e-mail didn’t exist at that time), all written in longhand. This proved invaluable and made me indispensable to my client. When I wished to repay him, he wouldn’t hear of it. In fact, he felt insulted!
Bert was a showman and he reveled in creating that impression. His public persona was that of a gregarious, flamboyant Damon Runyon character. But in fact, he was pensive and studious as well as modest. He had a wit and a sense of humor without parallel. He never took himself seriously.
In boxing, when a champion dies, the ringside bell is stuck ten times indicating a knockout. Bert is down for the count, but his legacy will never suffer.
I just received an e-mail blast from Adorama Pix referencing their photo books. Both my partner JoAnne and I have made ten different books that we use as teaching tools. Making the photograph is what it’s all about. In the world of digital we very rarely see our printed artwork. Adorama Pix offers us an opportunity to use our photographs and our creative sense of design and balance. To be quite frank it’s extremely satisfying to see the photograph on the printed page. I remember in one of my high school classes, I had a history teacher that would always refer to the Gutenberg Bible as being the first work of art printed on a printing press. Here we are, 562 years later and each one of us can print our own book to our own specifications any time we want. Yes, I was dragged into the digital world kicking and screaming and that is true but I’m like a 16-year-old kid because it’s just so magical and isn’t that what photography and film making is all about? It’s all about the magic.
We are plan on taking advantage of this new promotion and if you’d like to go to Adoramapix.com Sale
Offer Expires 5/23/12. Must use coupon code “PXGD1010” to receive discount (use “PXGD1010L” for leather).
I just received an email by a wild life photographer from Australia wanting some private lessons. We are in the process of arranging three days on both wild life photography and sports photography. All indications are that this is going to be a lot of fun for both student and mentor. He motivated me to look at some of my Great Barrier Reef photographs. Cannon camera, 24mm lens, Fuji Velvia, 1/80 of a second, f/5.6, Ikelite housing, and two Ikelite strobes. Have a great weekend- Joe D
I’ve had an opportunity to spend ten years at the University of Arizona doing workshops and lectures, and in the day shooting some assignments and stock work. Funny how it all seemed to come around in January and February hmm…, first thing when I got to Tucson, would be I’d hire one or two assistants and interns. One of the best was Lee Ann Fox, extremely bright, creative and a lot of fun. As the sun was setting, I came up with a photo of Lee Ann her (nickname was the Fox) on her motorcycle. If you look closely at the bottom photograph you will see a hell of a lot of industrial stuff. In the day before Photoshop I would attempt to do a multiple exposure, shoot the background separate, another at speed, and then I’d have an assistant photoshop it. Camera 35mm, lens 35mm f/1.4, the platform was a moving rent-a-car,1/60 of a second, at f/5.6, ISO 50. If you look close, you will see me in Fox’s mirror. Photo tip of the day,is to make sure you have a great driver and a model that can take direction by hand motions. Do not try this while driving the car, it could be dangerous.
Over the years I’ve had two major printers. One was Par Excellence in Shreveport Louisiana, the other was Ken Leiberman in New York. There is no doubt Ken was and still is a great printer. If you’re going to have a show at MOMA, or a San Francisco gallery, he may be your choice. Par Excellence is unfortunately out of business. My partner and best friend JoAnne Kalish is a master printer “and one hell of a great photographer,” she produces some impeccable “Giclee” prints to die for. As great as they are they just are not a photographic process per se. Without telling JoAnne, I made 60-20×30’s, and 12-16×20’s. They are awesome and if you would like to come by our Learning Center to look at them, make an appointment and I will gladly show them to you. The key is – the blacks are black, the white are white, and the skin tone is dead on, it does not get any better then that. Info on this photo is, Shutter Speed-1/10 second, Lens-100 mm macro, ISO speed-50 and it was taken on the new Manfrotto carbon fiber tripod 190cxpro3.