Fishing Fool

Painting by Paul Laddin

I was out fishing one day in the Huntington Triangle and I ran into a wise fisherman. He was quite a character. We talked about lures, trolling, and then we talked about advertising photography. Little did I know, I was in the presence of the president of one of the finest, most avant garde ad agencies in the United States. Here we are 26 years later, and we’re very dear friends. I call him my Rabbi, my brother, my mentor, and my dear friend. Like all relationships it is predicated on the most important thing, respect. His name is Paul Laddin. On top of all of his accomplishments, first accomplishment is, of course, he is married to a beautiful and brilliant woman named Jennie. Second to that, he is quite the accomplished artist. He works in oil and his work is wonderful. If you look closely at the artwork I’ve included, you may recognize a younger photographer, I’m not sure I know his name.

Thank you Paul for being such a great friend. Love you.

Joe D

Photo ©Joe DiMaggio

Lite Pads

I’ve been using electronic flash from the beginning of my career. In the 70’s I standardized by using Dynalite strobes. There is no doubt, in my mind, that Dynalite, pound for pound, penny for penny, is the best electronic flash system you can get. Broncolor is really cool, but it’s very expensive. I had an opportunity to experiment with a new product: Rosco lightpads. Rosco is a LED continuous light source that comes in many different flavors – 20×24, 12×12, and even circles.

You name it, they have it. It has a very simple

mounting system as well. The light the pads produce is sweet. When I take all the knowledge that I learned over the years, with the electronic flash and the bending of available light, I can do some really cool things. The greatest advantage of these lights, is that they last forever, the color is consistent, they’re relatively small & easy to maneuver. This makes them easy to use on location with batteries rather than with AC. Now, they may not replace all electronic flash, but they’re a great addition to your photographic repertoire. For the photographer who doesn’t want to go to electronic flash for whatever reason, this is a natural progression. Also see my partner photographer JoAnne Kalish’s blog and another example of what she did using these litepads.

Photo © MMIX Joe Maggio

 

The Captains William Shatner’s New Film

William Shatner, Liz Shatner, Joe DiMaggio & JoAnne Kalish          Photo © Marion Curtis


To All The Ships At Sea:

Only a few of you have ever asked me the name of my ship. Some of my friends and students who were slightly over 50 know who Walter Winchell was. The complete quote was “Good Evening, Mr. & Mrs. America from Border to Border and Coast to Coast and all the Ships at Sea let’s go to Press!”

Yesterday we were on the good Ship Enterprise, which hosted my long time friends Bill & Liz Shatner for Bill’s new film, which he directed and produced called the Captains. The party was a blast and to catch up and see Bill and Liz is always totally enjoyable. Like everything Bill does, it has his unique fingerprint and is always pretty amazing.

Walter Iooss

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Somewhere around 1970 something, I had a Sports Illustrated assignment with Walter Ioos and we were up in Boston. If you don’t know who Walter is, he’s probably one of the greatest all around photographers in the last 40 years. Walter is a true Renaissance man. When he puts his mind to it, and his eye to it, he can photograph anything, and pretty much better than anyone else. Walter, by the way, had no secrets. He shared all of his inside tracts on how to make a great photo. He has a great level of confidence.

After a long day of shooting, we decided to have dinner on the north side of Boston, and Walter was astounded that I dragged along my camera. He said “How come you’re taking your camera?” I explained to him, you’ll never know when you will run into something you want to photograph. I think he thought it was pretty funny.

On my way to get a Fed Ex, I went to the door, and looked at a cluttered kitchen. My eye was grabbed by an orchid that was having its water changed. I went back to my office, and I took a couple of snaps. I think of it as an exercise, an exercise in visual literacy, or looking from the inside out.

Filmmaker Albert Maysles

 I guess there’s an old adage that the teacher becomes the student. Our son Dylan had a great opportunity 4 years ago. He worked as an intern for Al Maysels. Al is recognized as the father of modern documentary cinematography. His awards are absolutely amazing. When Grey Gardens closed on Broadway, the feature film was a Blockbuster. His original film on Grey Gardens and Salesmen are classic studies made in the way documentaries should be made. I had the pleasure to meet Al a few years ago at a cocktail party and reception.

Being in Al’s presence is being in the presence of greatness. He’s soft spoken, has a very small ego, and is a great talent. He was kind enough to invite me to his home along with my partner JoAnne Kalish and son Dylan to do a one-hour interview on his life and career.

I have very few heroes. One was Gene Smith, who I had the pleasure of assisting back in the day. Al is also a hero of mine. He has been kind enough to help me with my film In This Corner. Just came across a few photos of Al and thought all the Ships at Sea would like to take a look at a photograph of a great filmmaker.

 

 

 

 

Photos © Joe DiMaggio

Life After September 11th

Re-Creation of X-Ray

Suffice to say as you travel through life, a myriad of things are going to change. In the 60’s, they changed radically but not that quickly. In the 70’s, they skipped along, but again there wasn’t that much urgency. In the 80’s, I think we fell asleep – I’m not sure. Most of it was a blur. Hmm… could have something to do with – oh, never mind. Then along came the 90’s and I don’t know who it was, maybe it was 3, 4, or 5 people from silicon valley that decided to inject our eyes, ears, and noses with the most advanced super-amphetamines that were available. We all took off on a light speed adventure with no brakes. Well, here we are in 2011 and every once in a while I feel like I’m on the world’s largest Mercedes Grand Touring Bus, alone, sitting in the last large seat by the lavatory and the bus is made of paper mache. I can’t see the driver,  but we’re on the Monte Carlo Formula One Street Circuit. I’m not wearing a seatbelt, and am being bounced up, down, left, and right like a cue ball in a maze with zero control. Right about now many of you are wondering, where the hell is he going? Hey guys, I ask myself that at least 20 or 30 times a day.
Sunday was a normal workshop day. I went to sleep the night before at 10PM, got up at 4AM, was on the road by 6AM, got to Battery Park at 7:30AM, met with the group at 8AM, tickets by 8:30AM. I remember one of the last things I said was “Let’s try and stay together until we get to Liberty Island.” I was 6 people behind John and there were 3 or 4 people of age between him and I. So, I made an executive decision not to be a bull in the china shop and wait my turn. As I approached the security line, I darted right to get behind John. A security gentleman, approximately 5 feet tall, said to me “GO ON THIS LINE!” I said, “Sir, my class…”. He said “I’m not going to tell you again, go on this line.” I went on the line. Approximately 7 of the 8 lines were moving rapidly. My line didn’t move a millimeter in 15 to 20 minutes. At this point, I should mention to you that I had no jewelry shoes or belt on, no wallet, no cellphone, no camera, & no keys on me. For all intensive purposes, I was naked but clothed. My wallet was open to a laminated card to inform security that I had 2 titanium hips. The card was issued by the New York Hospital for Special Surgery. When I finally arrived to go through my screening, I asked the young lady to look at the card she said “No, we don’t have to.” I also carry a letter with large type from the Doctor for security checks concerning my hips and offered it to her and she said “No, we don’t need to look at that either. Just go through the screening.” I said that the machine was going to go crazy. She insisted I move to the duct-tape mark on the floor, which I did.

At this point, I should say something – I don’t deal well with indiscriminate powerauthority but, I do have the utmost respect for my fellow human being – man or woman, especially in this type of work. I made a decision at this point to keep my big mouth shut and just say yes to everything. My class had now disappeared, somewhere on the 9 o’clock ferry, and I’m still in security. A gentleman called me forward, the machine went crazy, he asked me to go back and I did. The machine went crazy again and he asked me to repeat this a third time. I said I had a card to explain things. He said, “No, we don’t need to see that.” The machine went mashugana! He told me he was going to pat me down, I said fine. He patted me down approximately twice on the back and sides, and 3 times in the front and sides. At this point, he didn’t understand why the left and the right side was going crazy on his meter. So I simply opened my pants and dropped them down to above my knees to show him I had nothing to hide. In retrospect, this probably wasn’t the best idea I had on a Sunday morning. By the way, there’s an expression- TMI. When I’m on a shoot, or location, I always wear my running shorts under my normal pants. And it’s not uncommon for me, especially on a hot day, to take my trousers off and proceed the rest of the day with my running shorts on. I did not moon anyone. Now I’m thinking “Okay, another 10 seconds and I’m out of here.” Boy, was I wrong! There were 4, 5, or 6 people huddled around the x-ray machine. The 4, 5, or 6 people then called 3 or 4 more people with different uniforms. They looked at the screen, got on the walkie-talkies oops! I guess they’re radios. Several other people came in, also with different uniforms, all looking at the screen. The first 5 peeled off, the next 3 moved away, the new 3 looking at the screen and then 2 gentlemen came over to me and wanted to know what was in the tray. I said “A camera, my beret, a small black bag, an extra battery, a Power Bar, lens cleaning cloths, several wire ties, an electronic cable release, business cards, a 6-inch homemade monopod, a small Sartek video light, lifesavers, a film can with some potassium pills in it, and 4 Aleves. Last but not least, one red and one blue bandana.” The police officer asked me “what else,” and I told him that was it. He said “there had to be something else in there.” I said “Not that I can remember- oh maybe some business cards and some small photo postcards”. “What else?” he demanded. I said “Sir, that’s it.” I asked to make a suggestion and he said no. I mentioned that I would take everything out of my bag for visual inspection. He said, “No, don’t tell me how to do my job.” I said that I was sorry and didn’t mean to tell him how to do his job, I was just trying to help. “I don’t need any help from you. Stand  in the corner and don’t say another word.” Well, I stood in the corner and didn’t say another word while 3 or 4 more people came in, now a total of about 30 plus. They cleared out everybody from the staging area, both left and right side. I was then asked to move to a holding spot about 50 yards away, which I did, accompanied by 2 police officers. Then, in came Rin-Tin-Tin. Rin-Tin-Tin is a bomb-sniffing German Shepherd. A beautiful dog, but unfortunately my guess is that he was over 11 years old. He could not jump up on the belt to smell my bag. They tried 4 or 5 times calling him up and then finally picked him up and put him on the belt. He went over to the X-Ray machine and smelled my bag. He turned and appeared to be perplexed. They put his nose back on the bag, and again he turned, as if to say, “Why am I here? There are no explosives”. To be honest, I think 40 or 50 people were disappointed that I did not bring a b— into the holding station for Liberty Island. I’m still 50 yards away from my wallet, accessories, and camera, and they decide to do a visual inspection. I asked the police officers if it would be okay, if I could go over to watch the inspection. They grudgingly said yes. They took everything out of everything! My potassium pills mixed in some some kind of lint – not good. They then questioned me on 4 items and wanted to know what they were. I held it up, showed them the name, and told them. “It’s a Canon electronic cable release.””What’s this?””That’s a replacement battery for the camera and what is this? “It’s a homemade mini-monopod that I use to insert into the base of the 1/4 twenty, which, I then showed him how I did it. They wanted to know what the pills were for and whether I had a prescription for them. I said no, they were over the counter stuff and it was potassium for cramping and Aleve if I got a headache. I said, “Are we done?” and they said “Not exactly.” They said I had to go over to the X-Ray machine and show them what something was. They pointed to me where the b— was. I asked if I could take a picture of the screen to show him how never to pack a bag, trying to be funny now being over 50 minutes into the ordeal. I threw everything together back into my bag, and he goes, “We need to fill out a report in main office.” I asked if it was really necessary, and he said he needed to see my identification. I showed him my press card and he said that he needed something better than that, so I gave him my driver’s license and went to his office.We filled out the forms and he asked me if he could he photocopy the inside of my bag. So, not thinking, I said “Sure” So, he laid everything on the photocopy machine – duh! You can’t photocopy 3-D stuff. I suggested to photograph it. I took his iPhone and took a picture for him to send to his boss. Now, the ordeal is now over – but not exactly! The police officer said, “Have you ever done any TV shows?”  I said yes, and he said “are you a photographer?” At that point he asked if I would give his daughter some private lessons. I gave him one of my instructional DVD’s and my phone number. He gave me his card and a free ticket to the top of Lady Liberty for my inconvenience. He put his hand out, I shook it, and he said that he was only doing his job. I said, “Yes, I understand”. As I climbed to the second deck there were approximately, stretching around Castle Clinton.

I guess this is the price we pay for September 11. (See below a recreation of the so called bomb in my bag)


TIME Magazine Assignment


I had a half hour off the other day. Decided to just look through some of my old TIME magazine and Sports Illustrated assignments and I stumbled across this photo that I did for them to celebrate the opening of Giant Stadium. I was totally blown away when I heard they were going to build a new stadium. It seems like yesterday they just built a new stadium. Of course, a businessman friend of mine explained that it’s all about the super boxes and the Fortune 500. Well, considering my only interest is between the goal line and the goal line, a super box just doesn’t do it for me. If TIME asks me to go and shoot the new one, it’s gonna take me a little longer to get to the birds’ eye perch.  See you at the game!

Joe D.

Frame Grab

I’m not quite sure the Lumiere brothers are not rolling around in their graves right now. Rapidly followed by W. Gene Smith and Gordon Parks. The more I know about this medium the less I know. If I’m running at 100 MPH forward, I’m probably in reverse. I’ve promised myself I’ll try to keep up. This photograph is pretty amazing. Enjoy!

Following blog post by Vincent LaForet.

http://blog.vincentlaforet.com/2011/06/07/what-camera-did-i-use-to-make-this-still-picture/#more-5772

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What camera did I use to make this still picture?

Go ahead and guess what camera was used to make this photograph in the comments above.    It was made with a new camera that many photographers have not yet heard of… I suggest you click on the image above to see it at full resolution (and make sure you zoom in to 100%) Some of you will guess right away and already know about it…   Others will be astonished when I reveal what camera shot this photograph.    It’s a camera that has the potential to change things – radically.__________________________________________________________________________________________

ANSWER: This image is actually a FRAME GRAB.   It was not shot with a STILL camera but with the RED EPIC M digital cinema camera at 96 frames per second. For the techies:  The image was made with a Zeiss Compact Prime 25mm f 2.9 ,  natural light,  at  T 2.9 , 1/200th of a second at 800 ASA in RED’s RAW R3D format – a RAW format similar to a CR2 or NEF (for Canon and Nikon users respectively.)

The camera’s “cinema” resolution is 5K – more than five times the resolution of your HD Television (see chart below)…     Other than a quick color correction – no enhancement whatsoever has been made to this image. Perhaps just as importantly : there were 95 other frames that were shot EACH SECOND that I rolled on the camera… 95 other shots to choose from… shot handheld on a moving subject – not posed.

Wheeler at MOMA

I know everyone who attended the photo retreat on Memorial Day weekend- Every person, to a man and a woman all said the same thing. They absolutely loved Dennis Wheeler. The idea of sharing my 30 plus years relationship with Dennis with the students worked out better than I expected. To say Dennis is a master of the arts would be an understatement. He’s a Renaissance man on steroids. Every time I feel a visual block getting ready to bite me on the butt I call Dennis and invite myself to his farm, where he proceeds to motivate me to get off my duff and start producing work.

I sat listening to every word that Dennis spoke and watching the faces of the participants and guests at the party. It was a beautiful thing. Here are a couple of comments.

“Thank you for inviting me to the Retreat/Party.  It was an enjoyable experience, in which I learned a great deal about photography, creativity and myself.  Meeting Dennis Wheeler gave me new insight into questions that remained unanswered until his down to earth, realism in his lecture.  

“The Retreat was a great success on all levels.  Hope to see you on June 12, 2011 in Lower Manhattan. All the best.” 

     ~Ralph Mocciola

“A special thank you to Dennis Wheeler for demonstrating that creativity does not stop at 60 – whatever – years old!”

    ~Linda Pedersen

“It is hard to put into words what this past visit with you has meant.  I find the below a step in the process of putting into words what occurred at your home and Learning Center.  That said, I look forward to further workshops that explore what the below author suggests, and what Dennis Wheeler demonstrated.”

     ~David Kenny

“I had a wonderful time, learned a lot, got to exchange ideas with a great group of photographers, had an opportunity to listen and learn from an accomplished artist (Dennis Wheeler)…”

     ~Ann Raine

Thank you for a most wonderful day, I think it was better than any of us could have imagined.  It was a great experience to sit around and talk about the arts and meet and spend time with Dennis, and to be topped off with some great music with Bobby and the boys.  But the best was the hospitality you, Joe and Dylan exhibited by opening your home to us and ensuring that we all had a marvelous day.  Thanks again, and look forward to seeing everyone again, real soon.”

     ~Jeffery Thomas

No Duct Tape or Crazy Glue!

 

About a month ago, I put together a focusing ring that would allow me to turn a Singh-Ray Vari-ND and the Blue-N-Gold to change the value of light and color, without touching the filter or the camera. I used some of my favorite tools, duct tape and crazy glue.

In a casual conversation with Carl Saieva from Sartek Industries Inc., – a world class designer and engineer. He said to send him a picture and he’d see what he could do. Well, this is what he did. He machined the parts. They’re super slick, smooth, easy to assemble, and did I mention that they work really well? This is the difference between a consumate professional and a hack. My intentions are good and sometimes the end result actually works, but most of the time it looks like shit. Thank God for great friends!