March 25, 1911, The 100 Years Ago

As some of you may or may not know, I was born and raised in Greenwich Village, New York, bouncing between 63 Carmine Street and 101 St. Luke’s Place. It was the DiMaggio’s side of the family and the Pennino side of the family. It wasn’t until 5 years ago that I discovered my grandmother and her sister worked at the Triangle Shirtwaist Factory. She was 16 years old and her sister was 14. On March 25 1911, the most devastating industrial disaster. Both my grandmother and my aunt made it out safely. 146 women and children did not make it out. As a photographer, every time I photograph my grandmother, there was something that was deep and troubling in her eyes. She had a beautiful smile, but that smile was always accompanied by the troubled eyes. I love my grandmother. It was unnerving to me. I never knew what she went through. She must have been terrified her whole life by that ordeal. 

“The Triangle Shirtwaist Factory fire in New York City on March 25, 1911, was the deadliest industrial disaster in the history of the city of New York and resulted in the fourth highest loss of life from an industrial accident in U.S. history. The fire caused the deaths of 146 garment workers, who either died from the fire or jumped to their deaths. Most of the victims were recent Jewish and Italian immigrant women aged sixteen to twenty-three;[1][2][3] the oldest victim was 48, the youngest were two fourteen-year-old girls.[4] Many of the workers could not escape the burning building because the managers had locked the doors to the stairwells and exits. People jumped from the eighth, ninth, and tenth floors. The fire led to legislation requiring improved factorysafety standards and helped spur the growth of the International Ladies’ Garment Workers’ Union, which fought for better working conditions for sweatshop workers.”


http://en.wikipedia.org/wiki/Triangle_Shirtwaist_Factory_fire 


Gil Clancy – A True Gentlemen May 30 1922- March 31, 2011

ibhoff.com
Somewhere around 1969 I went to my father and asked him how I could get in touch with Jerry Quarry.  My father laughed and said, “you have to be kidding Gil Clancy of course.” I asked if he knew Gil and he said, “know him? – we went to NYU  together and worked at the P.A.L.”  
Gil Clancy was the first trainer to allow me first access to a training camp which was Jerry Quarry’s camp.  Suffice to say, it was one helluva education. I know I tend to use cliches. Sorry but they don’t make them like him anymore. He was a great athlete and trainer. His absolute honesty prevailed. He never took advantage of any boxer and was a true gentleman. The boxing brotherhood has lost another Hall of Famer.  Talk about irony, you can’t make this stuff up. April 1, 1961 My grandfather took me to the first Emile Griffith “Benny Kid Paret” Fight in Madison Square Garden.  Yes, to all to all the ships at sea, that was half a century ago.


DUMBO Workshop

     Thanks to everyone – it was a fun day. Thanks, JoeD, for the great workshop, and thanks Dylan, Larry and Monica, for all that you contribute to making these photo workshops possible.



                                                                                                                      ©Ann Raine

     Thanks for sending your email address and thanks for your hospitality yesterday at your firehouse. It was a great visit. Here’s one photo- more on the way later, but I really liked the way you were laughing in this one.
            Ann Raine


DUMBO Workshop

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                                         ©Rhonda Griscti

Thanks for a great day. I learned so much and I have about 100 photos that I really like from the day. Below are a couple of my favorites.


     Rhonda Griscti

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                                         ©Rhonda Griscti

                                                   ©Rhonda Griscti

DUMBO Workshop

    Thanks again for a wonderful workshop and learning experience. It was truly a good day and being surrounded by talented individuals made it even better! I truly appreciate the clear cut way you spoke about photography, techniques, and stressing how everyone should be having fun. I’m very glad to have taken part of the Dumbo workshop and will look forward to future workshops with you.


      Angelica Y. Criscuolo

Sunday’s Student

                               ©Stephen Wakschal

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A Photowalk is much like a photograph; having multiple elements, location, weather, access, perspective, etc.  When the elements are in sync the result is an interesting and technically correct image and when the elements in a photowalk are in sync, the result is a most rewarding experience.  This was the case with the DUMBO Photowalk with Joe DiMaggio.  All of the elements were there; Joe’s intimate knowledge of his “subjects,” his availability to answer questions, the access to locations we were afforded and the reception we were given.  As a group we benefited from Joe’s reputation within the photography and film world.  This was a full day of “photography with photographers.”  Joe’s wit and humor fostered the bond between the group and set the mood for the experience.  I highly recommend this, and and any other workshop/photowalk with Joe DiMaggio.

              Dr. Stephen Wakschal



                                                                      ©Stephen Wakschal

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In This Corner The Final Chapter

Delen Parsley before fight
The first thing you learn in journalism school is there has to be a beginning, middle and end. Six years ago when I started the documentary “In This Corner” (I thought it would only take a year) I knew the film would have a beginning, middle but no end One of the protagonists in my film asked me if I was directing the documentary.  I explained the director was a combination of God, and him and I show up and watch the story progress.  On Sunday the 27th I had a Dumbo Workshop, sponsored by Adorama and ran into an old friend by the name of Blimp.  He informed me his son Delan would be having another fight at BB King’s and would I be going?  I told Blimp thanks for the heads up and why did he give me so much notice?  Dylan and I made an executive decision to go to the fight. We prepped the following day and headed out for another 12 hour day. I’m going to share this with you – something magical happened that evening. For the first time in many decades, I was totally relaxed and at peace with the world. I indirectly thought, let the shit fall where it falls because I’m going to have a great evening. I let Dylan do all the hard work. Well somewhere around 3 in the morning after having a celebratory Jameson with James Moore, John Duddy, and Dylan Michael, we raised a glass to James Moore’s new baby who coincidentally is also called Dylan Michael. I realized that the time they are a’changing.  I believe that this attitude change is going to stay with me for the balance of my career and I’m hoping it leads to much better filmmaking and my photography.  At least several run on sentences ago, I mentioned a beginning, middle and end.  The combination of Delan Parsley’s unanimous decision Win, running into my old friend writer Pete Hamill, and grabbing a flying noisy interview with Trainer Harry Keitt, Lou DeBella, James Moore and Duddy, we now have an honest no bullshit end to “In This Corner”  Three more days of talking head interviews, two days of “B” role, and 9 months of editing and with any luck at all we’ll have a completed (I want it to be great) film.
Photos ©DiMaggio or Dylan Michael
  

  

Joe DiMaggio (the photographic slugger) checks in to say Singh-Ray is the only filter for him

“There was a time in my photographic career,” says veteran freelancer Joe DiMaggio, “when I had 30 or 40 different filters in various sizes. In those days, there were several types of black-and-white film, and two or three color films that often needed a little more pop.

“With the advent of digital, I found myself asking who needs filters anymore — especially with Photoshop? Like many other things I’ve done over the years, if I wait long enough, I’ll prove myself wrong. Turns out that my filters are often the difference between success and frustration.

“The reality is that I now actively and exclusively use what I feel are the best filters available: Singh-Ray. My relationship with Singh-Ray goes back to 1974 when I purchased my first filter to correct my underwater housing, and it worked very well. I’ve found Singh-Ray filters to be expertly crafted, and all their designs are definitely outside-the-box. Each one has a specific application. You may not need them all. For that matter, I may not need them all, but there are several I find absolutely essential. TheLB Color Intensifier is number one. Another is the Singh-Ray Gold-N-Blue Polarizer. Since the arrival of DSLR video, the Gold-N-Blue is drop-dead great. Anybody who follows my work knows that I like long exposures, very long exposures. So, the next favorite filter in my camera bag is the Vari-NDvariable neutral density filter. And I’ve also got to mention my trusty LB Polarizer.

“This Hobie Catamaran photograph above was done with a Singh-Ray polarizing filter — and Kodachrome 25 film — a few years before the ‘lighter, brighter’ version came out. The polarizer really helped me cut glare to get all the color that Kodachrome was famous for. It was taken from the top mast on a Hobie 16. Living on the sea afforded me a window of Northport Harbor. Watching the boats pass by was like a ballet of color and contrast. I made friends with one of the captains and photographed from one boat to another, but I was soon looking for a different perspective. I tried to talk one of the catamaran captains into modifying his boat for my photo. He was interested in seeing the photograph, but had no interest at all in modifying his boat. So to solve my problem, I went out and bought a brand new Hobie 16, drilled a hole in the top of the mast and mounted my camera to the mast and used a radio control tripping device. To tell the truth, John Zimmerman from Life Magazine did a photograph of a docked sailboat from the Bosen’s chair, which I always admired. His image intrigued me but I wanted to add color and motion to my version. In the final analysis, we have to thank all great photographers for the inspiration they provide us to make our own images.

“I used my ColorCombo for this image of my puppy, Ace. He’s also a big fan of my filters — he likes to lick them… although I’m pretty sure that’s not the recommended cleaning method.”

Although Joe and his partner JoAnne Kalish are based in New York and the Upper Delaware Valley, they travel the globe on various photo projects and assignments as well as operate the DiMaggio/Kalish Learning Center. To learn more about their many workshops and special events, you can visit their website.

It Ain’t Hollywood It’s Just a Test!


Please click the above link to see the Singh-Ray Gold-N-Blue filter in action!

One of the most common questions we get in our workshops and lectures – Do we use filters? If so, what filters and what brand? Let’s be clear – yes, we use filters but only Singh-Ray Filters. The two prominent filters are the Gold-N-Blue and the Vari-N-Duo.  Dr. Singh is an amazing designer and engineer and is always thinking outside the box. I’m notdreaming that I can improve on his filters, but what I’ve done is made a modification to a step-up or step-down ring. A great deal of my work today is incorporating video into our repertoire (we’ve always offered our clients video on a professional level.) In the day, it was the big Sony’s. Today, we’re able to maintain a great relationship with Sony, but we also utilize our DSLR’s because of the quality and because of their size, speed and the fact we have more lens selection. A simple raging river that was swollen by torrential rain when photographed with the Gold-N-Blue in the video mode is mesmerizing. You’re looking a normal photograph and over the next minute or so, it turns slightly blue, then, a darker blue, and then a more intense blue. By the time your eyes adjust to the gorgeous blue, it starts turning into a wheat color, then a yellow and then a midas gold color. That’s kind of cool! But, every time you put your hand on the filter, you tend to move the camera or photograph your damn finger! You want a seamless, smooth, Hollywood dissolve. The most simple way for me to do this was to build my little stick (it’s really not a little stick.) You take a 77mm filter, you put a step up-ring on it, put the ring into a vise, pre-punch two starting poles, start your drilling, then attach the nut, finish your drilling and insert extremely small machine screws. Then you thread your eye bolt into this and coat it with 4 or 5 rubber bands, putting the filter together with the ring, put the ring onto the lens, put the lens onto the camera, put the camera and the lens on a tripod.  I only use Manfrotto or Gitzo tri-pods.  You then turn the camera on, compose and by controlling the dissolve in the filter with the rubber band, it becomes seamless, smooth and gorgeous. To change the recipe to the famous “fade to black”, we simply replace the Gold-N-Blue with the Vari-N-Duo, which now allows you to go from one scene to another, or to open up or close down a scene. It’s quite pretty. Yes, you can do it in final cut pro, but I’d rather do it with a camera.

All Great Men are Born in March

Over the last two decades, I’ve had the extreme pleasure of calling Bill Shatner a dear friend. Out of all the people I know, Bill Shatner is probably one of the most sophisticated, well-read people I’ve had the opportunity to meet. If you had an opportunity to see Bill in Boston Legal, you would believe that he was on camera for all 44 minutes. He’s that strong and that powerful a figure, and the combination of his improvisation and his unique voice adds so much to that particular character. He may only be on screen for 10 of the 44 minutes, yet he literally steals the show. William has the ability to laugh at himself. I one time made a mistake and complimented him on his huge comeback. He came close to taking my head off. “Comeback?” he said, “I’ve never left!” The strength will carry him on and on. I’ve had an opportunity to watch him direct. He has great style and never raises his voice. He doesn’t have to. He is a true entrepreneur, and an extremely giving individual who supports several different charities. The flagship charity being the Hollywood Horse Show, wich will be held again this year on April 30.  Along with his beautiful, creative, intelligent wife, Elizabeth (an accomplished world class horse woman and fine arts photographer), the two of them will continue to ride from sunrise to sunset. Last but not least, with all due respect, he is an absolute lunatic behind the wheel of an automobile. The man just loves to race! I can’t wait to see him on Top Gear. I’ve had the pleasure of racing with him, and like everything else in his life, he’s competitive with & doesn’t like to lose. Happy Birthday, William! I know you’re going to continue the ride for many more years.


Your friend, Joe D.