Photo Copyright Dylan DiMaggio
I’m welcoming myself back. Both JoAnne and I have been in Europe for the past six weeks. On Sunday, three days after our return, we had a fantastic private workshop in lower Manhattan for the Plymouth Digital Photographers. Like every workshop, each takes on a life of its own. We had an amazing group of photographers from Massachusetts, Maine, and Rhode Island. Extremely knowledgeable, and from what I could see, some fine photographers. I learned an awful lot and am looking forward to our next get-together. The only downside to the program, in my opinion, is that it was too short. Hopefully we will rectify this next time.
There’s an old cliché: “honesty is the best policy”. I’m still recovering from jet-lag and being hit with the news that an old friend has succumbed to liver cancer is not making this any easier for me. I had the pleasure of photographing Joe Frazier on several occasions over the last thirty years. He was the consummate gentleman, an absolute straight shooter, and an overall great person. Oh and, I almost forgot to mention, one of the greatest heavyweight boxers of all time. I had an opportunity to film Joe at Gleason’s Gym in Brooklyn approximately eighteen months ago where Joe was kind enough to agree to be apart of my documentary “In This Corner”. We spent an entire hour in the dressing room just catching up and shooting the proverbial.
Once I get my head screwed on straight I’ll do a follow-up blog on “Smokin’ Joe”. For all the photographers in Sundays program, forgive me for bouncing around, I think that’s just what I do. Call it genetics. For all the ships at sea, we’ll try to get back into a rhythm after my one more assignment and two more workshops in the next 3 days. Joe D.
Photo Copyright Joe DiMaggio
Photo Copyright Joe DiMaggio
Photo Copyright Joe DiMaggio
Photo Copyright Joe DiMaggio
Tech Rep Rudy Winston
You spend 30 years perfecting your style, your visual literacy, the way you communicate with people. All of the things that make you a credible photographer and filmmaker. Then you take on the responsibility of a mentor. It is a very serious undertaking. Your students expect you to know all the answers to all the problems. The reality is you don’t know all the answers to all the problems. So who do the mentors go for help? You go to somebody who is smarter than you are and knows virtually everything about not only his products but the competition’s products. That person for me is Rudy Winston. So let’s be clear right now. You’re not getting his phone number or his e mail so let’s get that out of the way.
I’ve known Rudy for over 15 years. He’s not only a fine photographer, great teacher, great tech rep but great husband and father also. Rudy always has a few minutes to make very complicated matters extremely simple. Simple enough for me to understand. I think if Rudy went into politics he’d be able to solve some problems that other people just can’t seem to deal with he’s that good. So when people want to know who I go to – Rudy’s my Go-To guy.
Having said that Rudy has a beautiful daughter and his daughter’s name is Ciana and out of all the wonderful condolence cards and letters I received for my son Joseph, this one stands out. Rudy you did another great job! By the way, thanks to Chuck and Steve for your condolences also.
Ciana's Artwork
Photo ©Rudy Winston
©Rudy Winston
There is no doubt in my mind I’m blessed with extremely bright and creative friends. I’ve know an awful lot of bass players in my day but Everett Boyd is special. There virtually isn’t anything he can’t do with a stand up bass or electric bass.
We did a photo session one day and I took him to one of my favorite outdoor studios called the Tunnel (or at least I call it the tunnel.) I asked him for a few different looks, and voila! We came up with the cover of Bass Guitar for Dummies Book.
Everett is now the key bass player for the Bobby Kyle Band. Everett will be one of our models for my upcoming workshop on How to Photograph Musicians and How to Make CD Covers.
Photo Copyright Joe DiMaggio
I guess it was Yogi Berra who first said, “deja vu all over again.” My last shoot before I went in for my double hip replacement was with my dear friend, Angelo Dundee. As we were doing our huggy kissy goodbye he mentioned another old friend, Ray Mancini. I asked how Boom Boom was doing. He told me he was out in California and he was doing great. I had a nice talk with him on the phone today. He not only looks great, he sounds great, it’s all good. We talked about possibly putting a project together. Nothing would please me more than to work on a creative project with someone like Boom Boom whose been in the trenches and knows what its all about. I genuinely believe in timing and karma and this may be a great time and great karma to team up with an old friend, whose still pretty young.
Joe D
As a photographer and a film maker, I have the ultimate obligation to make my clients happy. They pay me and they expect to get what they want, when they want it, and how they want it. That’s my job and I do the best possible job I can do. Of course, you always try to push the envelope or think out of the box, all of those cliches, which I interpret as putting a little of your own style into the visual medium. As a mentor and a teacher, I feel the same obligation. I take it very seriously and sometimes I go back to the studio and I wonder, “Did I do a good job, did they get it, were they able to make a better photograph?” Sometimes you know, sometimes you don’t. In every workshop there are a few photographers that shine brighter than the rest. They’re not necessarily the best photographers, but they put forth one hell of an effort. Ann Raine is a California girl who’s been transplanted to the East Coast. She loves Arabian horses and she loves photography. Attached you’ll find three of her photos and a link to several more. I’d like to thank Ann for the kind words. She motivates me to do a better job. As the truth be known, I constantly learn from the students. The student becomes the teacher, and the teacher becomes the student.
“I’ve attended numerous photo-walk workshops with Joe DiMaggio over the last several years, and I keep returning for a number of reasons: Great mentoring, interesting photographic venues, but most importantly, every time I participate in one of these day-long events, I feel a freedom to experiment, a license to open up and go-for-it (photographically speaking.) I am not as concerned about getting every photo perfect as I am in pushing the limits of my skill and knowledge, by practicing and experimenting to ultimately get the great photo!”
Photo ©Joe DiMaggio
You would think after several decades of making photographs there would be no surprises, but the greatest thing about photography is that there’s always a surprise. You can pre plan everything to the final millimeter, you can pick the perfect day for light, you can have the best athletes or models, but invariably something will come up and will bite you on the –whatever. This is a perfect example, of Murphy rearing his ugly head. We planned this shoot several months ago waiting for the right rain conditions so we could make great photographs on the upper portions of the Raymondskill Creek. Cue the cameras! Cue the kayakers, let’s go! But Murphy cued three logs that broke loose and were blocking the creek. Ya can’t kayak over a log, and you can’t kayak through a log, so we went to plan B. Plan B was a 44 foot drop. To put that into perspective, that s a 4 story building straight down. The problem with the shot is the extreme heavy mist. It was like putting a Tupperware cap over your lens. The front element of the lens was absolutely soaking wet all the time and as we all know, anything put in front of a lens will degrade the image. I was shooting with the Sigma 150-500 and I didn’t have the underwater version- OK that’s me trying to be funny again. One of the keys in photography is your ability to be flexible, when you don’t get what you want- you gotta get something. We hiked up one more mile to a tributary and were able to get a 30 foot drop shot with the 24-70 Sigma. ISO and exposure are approximately the same; the difference would be considerably less mist. Keep on shooting, it’s all good. Next time I see you- I’ll have a brand new set of wheels- half titanium and half ceramic.
Joe D
Photo© Joe DiMaggio
9/11/2011
We will never forget.
I will never forget.
The World will never forget.
I will pray for the Heroes, the Friends and the Brothers and Sisters
Painting by Paul Laddin
I was out fishing one day in the Huntington Triangle and I ran into a wise fisherman. He was quite a character. We talked about lures, trolling, and then we talked about advertising photography. Little did I know, I was in the presence of the president of one of the finest, most avant garde ad agencies in the United States. Here we are 26 years later, and we’re very dear friends. I call him my Rabbi, my brother, my mentor, and my dear friend. Like all relationships it is predicated on the most important thing, respect. His name is Paul Laddin. On top of all of his accomplishments, first accomplishment is, of course, he is married to a beautiful and brilliant woman named Jennie. Second to that, he is quite the accomplished artist. He works in oil and his work is wonderful. If you look closely at the artwork I’ve included, you may recognize a younger photographer, I’m not sure I know his name.
Thank you Paul for being such a great friend. Love you.
Joe D
Photo ©Joe DiMaggio
© 1978 JoAnne Kalish Long Beach Grand Prix Mario Andretti and James Hunt
The interesting thing about having two photographers in the family is people ask, do we compete? What a silly question. Oops, I forgot, there are no silly questions. Of course we compete. We’re constantly competing, and we all know who is going to win. In the final analysis, it certainly won’t be me. My partner JoAnne Kalish is great photographer
I’ll tell you a little story. On the inaugural Formula One auto race in Long Beach, California there were approximately 1500 photographers, each one of them looking for the best position for the start of the race to get the definitive Formula One start shot. Photographers like Neil Leifer who is considered one of the finest sports photographers in our time. Neil has a zillion SPORTS ILLUSTRATED covers. Along with Neil, there was Gary Nichermin, Louis Franck, Kevin Fitzgerald, Mike Phillips, myself, and a small, 101 pound JoAnne Kalish. Everybody marked their positions and waited for the cars to let loose with a burst of 36 exposures. There was a loud noise and the screeching of brakes and smoke all over the place. I followed a car moving to my left along with, I don’t know how many other photographers. At the end JoAnne said “Wow, did you get that shunt?” and I said yes, and everybody else said yes. Later on that evening we went to pick up our film, at the lab, and while there, everybody checked their film out on the light boxes provided. JoAnne opens up her first box of slides, and there was the entire motor series of the shunt at the start of the race, with James Hunt’s car literally on one wheel flipping up in the air, which, by the way, Mario Andretti ran double truck in his coffee table book. JoAnne said, “did you guys get this?” We’re all looking around wondering what she’s talking about and sure enough, she has the whole motor series of this shunt. We didn’t get it, we never even saw it. But she nailed it! That’s JoAnne, small ego, great talent. That was the first photo she had published in SPORTS ILLUSTRATED and they ran it again in SI’s YEAR IN PICTURES.
There wasn’t another photographer at the race that captured the shots she got!
Joe DiMaggio 