Tomcat

Hi to All the Ships at Sea,

Talk to any fighter pilot from any era and they’ll tell you the only two planes that matter are P51 Mustang (propeller plane) and the F14 tomcat jet plane. TIME Magazine sent me on an assignment to photograph the last F14 to come off the assembly in Grumman. Suffice it to say it was very prestigious. Like all my assignments I always try to go a little bit further. So I got permission from the commanding officer to mount two cameras in the back with the weapons control officer.  I used a NikonF with motor drive and 15mm lens, Kodachrome 64. at 1/250 at f/8. In a couple weeks you’ll see another P51 blog and see how many G’s I can go through.

All the best,

Joe D

You can now follow me on Twitter @dimaggio_photo
Visual Impressions with Joe DiMaggio, Sponsored by Adorama
www.adorama.com
Adorama Learning Center

Shooting From the Inside Out 2

Hi to All the Sips at Sea,

While working on an essay called America, I came across some college students at the U of A who were heavy into mountain biking. We did all of the classic cliché photos and then I decided we can do better. So I took one of the small Canon cameras with a 15mm lens and a remote cord and put it at the end of a painters pole and was actually able (for a  millisecond) to get the camera under the tire as the young man did a wheely.

 

All the Best,

Joe D

You can now follow me on Twitter @dimaggio_photo
Visual Impressions with Joe DiMaggio, Sponsored by Adorama
www.adorama.com
Adorama Learning Center

It Never Snows in Amalfi

Hi to all the Ships at Sea,

SONY DSC

Both JoAnne and I are putting together the cover art for our new, exciting, travel adventure, photographic DVD. Yes, I am the King of the run-on sentence, sorry. The above photo JoAnne took of me with one of my students in Amalfi, which is helping the photographer re-think the options that he may have. Let’s remember one thing, when I’m teaching a workshop, when I’m giving a lecture on a TV show/internet TV show, what you’re getting is my opinion, it is not necessarily a fact and it is not cast in bronze, brass or gold, it’s just my opinion. Because I am one the luckiest people in the world, my opinion has been formed with the knowledge of some of the greatest photographers in the world, W. Gene Smith, Carl Mydans, Alfred Eisenstaedt, John Dominis, Irving Penn and the list goes on and on. I believe artists, regardless of the medium, whether it be oil ,watercolor, pen and ink, poetry, a novel the blues or the jazz, no one goes out with the idea of copying someone else. But “OUR” ability to learn from each other is critical, it’s simple communication. It’s really not about F-stops and apertures. It’s really how we see, what we see, what we look for-and then go to the next level. You can think of photography, videography and filmmaking as probably the most important thing in the world of communication. And oh my God, let’s not forget the Ernest Hemingway’s, the Budd Schulberg’s, the Elia Kazan’s, the Al Maysles. For most of us it will just be plain fun and in this complicated, sometimes bizarre world, fun and a light moment may just keep us alive a bit longer. This blog started out very light and airy and I have no idea how it got so serious.

Health and Happiness to Everyone, Great Shooting.
Joe D

You can now follow me on Twitter @dimaggio_photo
Visual Impressions with Joe DiMaggio, Sponsored by Adorama
www.adorama.com
Adorama Learning Center

Queue the Rapids!

I was contracted by the Canadian Olympic Association to photograph basketball, boxing, soccer, track and field, and kayaking. I fell in love with kayaking and proceeded to kayak for the next 20 years and moved to ocean kayaking. One of the things that I used kayaking for was eye-hand coordination and remote photography. Will try to dig out some of the film- Yes, Alice, there was film in those days! I’ll see if I can show you a few examples. But, in the interim, every once and a while I like to take the rust off and go photograph kayaking. Here are a few frames. Hope you enjoy them. Shutter speed ranged between a 500 and 1000, ISO 200. 80 to 200 mm lens. Pick a number- f4.5.