http://www.signonsandiego.com/weblogs/will-parson/2011/may/19/marisa-scheinfeld-leftover-borscht/
Monthly Archives: May 2011
Tabloid City: a New Crime Novel by Pete Hamill
“Hamill (North River) forays into Dominic Dunne society crime territory before veering uncomfortably into a far-fetched terrorist plot. Just as the last ever edition of the New York World is getting put to bed, veteran editor Sam Briscoe stops the presses for a sensational murder: socialite Cynthia Harding and her personal secretary are found stabbed to death in Harding’s Manhattan town house. The story unfolds in time-stamped, you-are-there bursts that follow a large cast, including several journalists; Cynthia’s adopted daughter; a disgraced Madoff-like financier; a media blogger; the murdered secretary’s husband, a police officer assigned to a counterterrorism task force, as well as their son, a convert to radical Islam; and best of all by the weary and worldly Briscoe himself.Milford Theatre
Photo ©JoAnne Kalish
The first time I saw the Milford theater, I thought to myself, “wow, what a great place for summer stock, music, poetry readings, an author talking about their new book, or a place to show other new avant garde short films!” That was 15 years ago. Now that Jerry Beaver has purchased the Milford theater, all of these things are going to come to pass. This is probably one of the most exciting things that has happened in our little town in a long time and I’m looking forward to it. Thanks, Jerry! Can’t wait for the official opening.
PaPA Opening May 28
His current major project is developing Parker and Parker Art, ‘PaPA’, housed in a 33,000 sq foot historic building in White Mills, PA. ‘Come to PaPA, since you no doubt have been to MoMA’.”
Her current major project is developing Parker and Parker Art ‘PaPA’,
http://www.parkerandparkerart.com (website to be completed shortly)
Character Project
Sunday I had the pleasure of leading a photo workshop in the West Village. Before we started, I decided to take the class to the Character Project, presented by Sir Ridley Scott and Tony Scott, to see 2 short films. From the reaction of the class, they thought it was a great idea and I was extremely happy that I had an opportunity to experience the short films “Fish” and “The Fickle”. “The Fickle” is a seamless 7 – 8 minute film, done in one shot. Drop-dead great! I take my beret off to the director, Bryan Poyser.
“Character Project is an ongoing artistic initiative committed to celebrating America’s characters – the interesting, dazzling, and distinctive people, from all walks of life, who make this country extraordinary.
A Day When Everything Went Right
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| Manfrotto International Journalists ©2011 Joe DiMaggio |
It seems like nowadays, when you pick up a newspaper, turn on the news, or even meet a friend for a drink there are so many negative stories out there and it kind of drives you crazy. However, every once in a while, you have a totally blown out great day where everything goes right – no negative stuff.That was this past Wednesday. I had the privilege of taking 22 international journalists on a photographic tour in lower Manhattan for Manfrotto. I imparted some of my photographic knowledge and they were gracious enough to bring me up to speed on world issues from many of their respective countries from Italy to China and back again. A great time was had by all. To all of my new friends I met on the walk you have a open invitation anytime to come visit us at the DiMaggio/Kalish Learning Center. Afterwards JoAnne and I were attending Manfrotto’s special event by invitation only – An Evening to Imagine More and what a exciting and motivating evening that was.
My best friend and life partner, JoAnne Kalish, had a day that was equally special. Let me bring you up to speed, JoAnne did one of the finest portraits I’ve ever seen of a world famous artist Will Barnet. I love the portrait so much that I asked her to make me a copy for over my desk so I could always admire it. JoAnne happened to be in Will’s neighborhood on Wednesday and gave him a call to say hello. The two of them spent the afternoon sitting in beautiful Gramercy Park catching up on life, the artworld, his last few shows, recent reviews, her photography and his future retrospective in September at National Academy of Art in NYC. I will end this blog with a quote from Will Barnet – as Will was telling JoAnne that everyone loves the portraits she did of him so much (including him) and that they are being used everywhere from Farnsworth to Naples to the Montclair Museum to the National Academy of Art and for all his catalogs. He told her he had numerous photos taken of him over the years (he will be 100 years old on May 25th) by many great photographers including Arnold Newman but her photograph of him is by far better than even Arnold Newman’s portraits of him. It took JoAnne very much by surprise to hear that, and certainly made her day even more special.
All Photos © Joe DiMaggio (or JoAnne Kalish)
DiMaggio & Violante Placido
JoAnne Kalish with Marcus Samuelsson
JoAnne Kalish with Mia Moretti
No Duct Tape or Crazy Glue!
About a month ago, I put together a focusing ring that would allow me to turn a Singh-Ray Vari-ND and the Blue-N-Gold to change the value of light and color, without touching the filter or the camera. I used some of my favorite tools, duct tape and crazy glue. Tripods When You Need Them You Love Them
"Be as beneficent as the sun or the sea, but if your rights as a rational being are trenched on, die on the first inch of your territory." ~Ralph Waldo Emerson
Earlier this week, APA issued a statement responding to Getty Images’ proposed changes to its standard contributor agreements. The response to our statement was overwhelming and, as expected, our members uniformly agreed that Getty Images’ proposed changes were unacceptable.
Through our counsel, Nelson & McCulloch LLP, APA contacted Getty Images to make clear our position and to request that Getty Images stay or extend its self-imposed deadline for forcing contributors to sign these agreements. We explained to Getty Images that APA strongly disapproved of Getty Images’ efforts to leverage its market dominance to force contributors to agree to these changes under duress.
Despite our efforts, Getty Images refused to respond to our inquiry and appears intent on maintaining this baseless, self-imposed deadline. APA, therefore, must recommend that our members decline Getty Images’ invitation to agree to these unacceptable changes.
As the creator and owner of the intellectual property, the photographer has the inherent right to determine how an image is to be licensed, including whether an image should be maintained as an RM or RF image. Getty Images’ effort to leverage its position in the industry to undermine that fundamental right and force its contributors to relinquish control over the manner in which their creative works are licensed is completely improper.
Perhaps more importantly, APA also is seriously concerned about the manner in which Getty Images has attempted to force these radical changes on its contributors. Adopting baseless, self-imposed deadlines and threatening to terminate contributors who do not accept changes to their existing contracts is not acceptable. As a community, we cannot continue to ignore Getty Images’ efforts to intimidate and strong-arm contributors, and we must not allow Getty Images to force contributors into signing these new contracts under duress.
While each of our members ultimately must decide for itself whether to accept the new contracts being imposed by Getty Images, APA recommends that, as a community, we resist and reject the direction in which Getty Images is trying to take this industry. Given Getty Images’ overwhelming stature in the licensing industry, it is clear that we can be heard only if we stand together and stand up for what we believe to be right and just.
While we cannot be certain as to how Getty Images will respond, we must make clear to Getty Images that its contributors do not agree with Getty Images’ vision of the future of this industry, and we will not tolerate its efforts to coerce and intimidate its contributors. If we send a clear message, we are hopeful that Getty Images will relent and engage in a more meaningful dialogue regarding this crucial issue.
As for those contributors who already have signed the contracts or decide to sign the contracts before tomorrow’s absurd deadline, we recognize the tremendous pressure you feel to maintain a relationship with Getty Images. APA will make every effort to address this concern with Getty Images and advocate for a solution on your behalf.
Again, we thank our members for their support and want to assure you that APA intends to stand up for the rights and interests of our members and all professional photographers. If we stand together, we are confident that our voice will be heard.
























