THERE COMES A TIME…

© Joe DiMaggio

There comes a point in your life or career that you tend to analyze what you’re doing and how you’re doing it.  

I’ve learned after my 65th birthday, that some of my decisions are not always right. What I’m about to say is my opinion, not fact. Most friends and clients love me as long as I say yes. When I say no that’s when the shit hits the fan!  A whole genre of people really get pissed at me.  Obviously, nobody wants to alienate friends, family, or clients. However there comes a time, when you have to stand on your own two feet and say what you believe and yes, that’s when the shit hits! It was pretty obvious to me when I left Sports Illustrated, Time Magazine, and HBO. Actually, I was black-listed after I refused to sign their digital contract giving them all rights to my work.

I am going to ask 12 people to be part of a focus group to listen to what I have to say and then give me their opinion, whether it be good, bad or indifferent on a certain matter.  For purposes of this blog I won’t mention names.  The reason I’ve not written anything in a while is because I’ve been locked into a project which has taken 8 months and left me bloody.  The great news – the client loved it and better than that they paid for it!  I also had a slight problem on Christmas eve when I got bumped by a moving vehicle. I’m still rehabbing my ribs and shoulder.

Gerry Cooney in Action © Joe DiMaggio
© Joe DiMaggio
© JoAnne Kalish

April 24, 2024 Greenwich Village

All Photos © Joe DiMaggio

I don’t remember who the writer was who said you can never go home again. Whoever wrote it was certainly right.  I was born and bred in the West Village on 63 Carmine street.  At the ripe old age of four, I went to NYU for the first time to see my father graduate.  This was of course, after he served 4 years in the U. S. Army Air Force as a waist gunner on b-17 flying fortress. With the combination of “the rent being too high” and 9/11, JoAnne and I made a decision to no longer keep our studio space full time in Manhattan.  I must say, we still consider ourselves NYC photographers as it was our original base.

We have a dear friend who is an entertainer by the name of Ronny Whyte who was playing at Pangea in New York this past Wednesday and we decided to go in to see him perform.  I took advantage of the time there to revisit my old neighborhood and take some of the rust off my street photography.  Twenty five years ago, I was quite good at street photography – not sure I am anymore!  If you don’t use it – you lose it!  Washington Square really did not change much since I was there last.  Great music, people playing sports, lovers and families, dogs and people of all ages just enjoying being outdoors.  On our way to the East Village we bumped into the NYU Stern business school’s pro Palestinian demonstration.  My blog is not about politics.  Did I say that?  I’m pro Israel and at the same time I’m not against Palestine and I’m certainly anti-Hamas!  For all the years I’ve been to Israel my brothers and sisters would say they are all cousins and I sometimes can’t tell them apart.  However, the terrorists are different!  Over many years of being a photojournalist, I’ve only been stopped maybe 3 or 4 times either by security, the military, or the police. I’ve never once been stopped by a 19 or 20 year old child who got in my face on a  New York City sidewalk which is known as a public conveyance.  If you’re on the sidewalk you may be photographed for better or worse. If I was to photograph someone and was invading their personal space I would stop.  However, it was funny because these people were demonstrating but yet did not want to be photographed?  To have some little shit challenge me was unacceptable by anyone’s standards.  We stared at each other for maybe 2 minutes and with his mask on, I could only see his eyes.  There was no doubt he was not Palestinian or an Israeli!  He probably was not an NYU student or for that matter not even American!  I decided not to cause a riot at my father’s former alma mater.  I believe in the first amendment of free speech and believe I also have a right to make photographs.   A half block away there were three police officers and a Sergeant.  I asked the Sergeant his thoughts about me making a photograph on the street and he said of course it was okay.  I casually mentioned the fact that I was blocked by their umbrellas several times.  The Sergeant offered to escort me back to make some photos.  At that point I said no.  We spoke for 5 minutes. The irony was the Sergeant happened to be a muslim Arab.  There is no doubt, my father is rolling over in his grave.  My dad had a doctorate degree.  If he was there and that piece of shit blocked him or got in his face, I’m pretty sure he would have bitch slapped him and God knows what would have happened after that.  I guess I did not inherit all my fathers nerve and we’re living in a different time.  I’m sharing some photos of my day.  It’s been a while since I posted a blog.  

Later in the evening we enjoyed listening to Ronny Whyte along with the two talented musician who accompanied him.  It was also good getting together at the club with friends Steve, Mary, Diane, Quinn, and Errol. Ronny is a great entertainer.   An added bonus all around Pangea was to seeing so many framed beautiful Alan Kaplan pastels adorning the walls.

Angelo Dundee: A Dear Friend.

The first rule you learn in journalism is to stay totally objective and never become close to the person you’re photographing or writing about. It isn’t an easy thing to do. In the case of Angelo Dundee, it was absolutely impossible. I met Angelo back in the 70’s and did major stories on him for the New York Times, Sports Illustrated, and Ring… too many to mention.

I think anyone who’s been around boxing can tell you there’s a dark side, and at some point everybody either goes there or experiences it. Angelo Dundee never had a dark side. He is the epitome of sportsmanship, a true gentleman, and the ultimate motivator. He was the total package. One of the most gentle people God put on this planet. He made a perfect ambassador for the sport of boxing. I met several hundred people in boxing over the years, from the very top to the very bottom and never heard one bad word against Angelo. Whether it was Budd Schulberg, Bert Sugar, or a journeyman fighter in Mississippi, they all loved him. Angie treated everybody like they were an important person. He never forgot a name and he had that beautiful smile and those beautiful eyes. He was always warm and attentive. Did I mention his sense of humor?

Here’s an Angelo quote sent to me today from one of my students, Steve Ellis:

“Joe, just want to tell you how much your call meant to me. Really nice gesture.

I was sorry to see the news about Angelo. He seemed like a really interesting guy. I remember when he was a commentator during the ’88 Olympics. During one of Riddick Bowe’s fights he was really critical about all the obvious mistakes Bowe was making. Angelo said ‘If this kid’s lucky, he’ll have a spasm of lucidity.’ I always remember that expression.

Steve”

Anyone who knows me knows that I can go on and on. I’m going to bring this blog to an end and I will revisit Angie and his memory at a later date. One of my last experiences with him is when he was kind enough to give me a few hours of his time for an interview for my documentary In this Corner.

P.S. In an interview I did with Jake LaMotta, “The Raging Bull”, he told me that he gave this kid Dundee one of his first jobs.

I can see Angie with a water bottle and a towel, cooling down Saint Peter as he’s entering the pearly gates. Rest in Peace, my friend. You’ve got a lot of champions on the other side.

The Day The Photographic Earth Stood Still

© Joe DiMaggio

The day the Photographic earth stood still one second later went into light speed. I had a dual assignment to photograph Joe Paterno in 2002 for Time Magazine and my agent who had clients in Europe and Asia. We broke out all the big guns total 7 cameras.  Both JoAnne and I were the prime shooters, 2 assistants and one security PA. Started at approximately 6AM shot all pre-game ceremony (lots of partying young and old) When we actually got down to game time the prime lenses were 400 f/2.8 and 600 f/4 and 35-350mm. We did the post game and turned the film over to our assistant who was getting ready to transmit a few frames before we returned to the studio. Total 7 cameras, 5 film cameras 4 of which were never loaded.  The one loaded had 28 frames, the two digital there were approximately 1,000 frames. Without knowing it the third reincarnation of DiMaggio now as a digital shooter was born. The story was on Joe Paterno and he died yesterday from complications from Lung Cancer age 85. I will not comment on his dismissal from Penn State. Our son Dylan spent 4 years there and any communications I had with the administration was absolutely miserable. Oops I said I would not comment. Whatever Paterno’s sins were he was one hell of a football coach. RIP Joe I hope things are get better on the other side.

©Joe DiMaggio

©JoAnne Kalish

Bill Eppridge in a Class By Himself

In my career I have been blessed with a few fortunate lucky right place, right time relationships. The first and foremost was attending the University of Missouri school of Journalism Workshop.  It really doesn’t get better than that. The second would be assisting W. Eugene Smith who taught me more about communications then anyone. Actually, he taught me more about many things but for the purpose of this we won’t go there. When asked to deliver a keynote speech at the NPPA, one of the people I thanked was Bill Eppridge. I would love to tell you that I know Bill well but as the truth be known, that’s just is not so. But here’s what I do know. Bill Eppridge has very few peers. He stands alone with his great talent.  He also has another quality that generally photographers don’t have. He’s an extremely humble about what he’s accomplished over the last few decades and he’s still a viable force to be dealt with. Bill invited me to his retrospective at the Fairfield Museum. Unfortunately, I was unable to attend. This past Sunday I had a little time off and decided to go to Fairfield, Connecticut to see the show.  I thought I knew exactly what I was going to see. Boy, was I wrong. I had no idea the depth and scope of his work. Like many other photographers, we know about the positive RFK Photos, but the retrospective truly showed what an amazingly great talent he is. This is one of the few times I wish I was a great writer because there aren’t enough adjectives to express what an important body of work he has. Photographer Alfred Eisenstadt, once told me, he had maybe only a dozen fine photographs.  When I had the audacity to tell him, “no you have thousands of great photographs,” he smiled, clicked his heels and said, “one day you will understand.”
Thanks Bill for continuing to teach me the importance and power of a great still image.

Bill Eppridge in a Class By Himself

Eppridge

In my career I have been blessed with a few fortunate lucky right place, right time relationships. The first and foremost was attending the University of Missouri school of Journalism Workshop.  It really doesn’t get better than that. The second would be assisting W. Eugene Smith who taught me more about communications then anyone. Actually, he taught me more about many things but for the purpose of this we won’t go there. When asked to deliver a keynote speech at the NPPA, one of the people I thanked was Bill Eppridge. I would love to tell you that I know Bill well but as the truth be known, that’s just is not so. But here’s what I do know. Bill Eppridge has very few peers. He stands alone with his great talent.  He also has another quality that generally photographers don’t have. He’s an extremely humble about what he’s accomplished over the last few decades and he’s still a viable force to be dealt with. Bill invited me to his retrospective at the Fairfield Museum. Unfortunately, I was unable to attend. This past Sunday I had a little time off and decided to go to Fairfield, Connecticut to see the show.  I thought I knew exactly what I was going to see. Boy, was I wrong. I had no idea the depth and scope of his work. Like many other photographers, we know about the positive RFK Photos, but the retrospective truly showed what an amazingly great talent he is. This is one of the few times I wish I was a great writer because there aren’t enough adjectives to express what an important body of work he has. Photographer Alfred Eisenstadt, once told me, he had maybe only a dozen fine photographs.  When I had the audacity to tell him, “no you have thousands of great photographs,” he smiled, clicked his heels and said, “one day you will understand.”

Thanks Bill for continuing to teach me the importance and power of a great still image.